Ticketmaster/Live Nation finds yet another way to pick your pocket
by Jim DeRogatis | Nov. 18, 2010
![]()
In the months before the two most reviled companies in the concert world decided to join forces in a mega-merger that makes them the Death Star of Live Music, giant national concert promoters Live Nation toyed with thumbing their noses at Ticketmaster’s much-hated, consumer-gouging “convenience fees” with a number of plans that they tested in their mid-sized House of Blues venues.
One involved selling tickets to many of their shed shows at the HOB box office, sans or with greatly reduced service fees. Another was offering “unlimited club shows” with a one-price “club passport,” sort of like the airlines’ frequent flier bonuses.
Now that Ticketmaster/Live Nation are one, the evil entity quietly is pushing a different scam also inspired by the airlines—though this time, it’s those ridiculous extra fees that let you board first or jump to the front of the line at security.
Actually, there are two new schemes, and both tack an extra $15 on to your ticket for select shows at the less-hip-than-ever House of Blues. One is called “Crash the Barricade,” and it allows the purchaser to “enjoy the buffet 2hrs before doors & Skip the GA line!” The other is “Pass the Line,” and it trumpets, “Use this $15 for Food or Merchandise & skip the GA line!”
Since when is the crush to enter a relatively intimate 1,300-person venue so intimidating that it necessitates an extra $15 cost? Beats me. But it’s one more way that Ticketmaster/Live Nation is trying to pick its customers’ pockets.
Falling for either of these ploys and eating the “order processing fee” and $2.50 TicketFast delivery cost (that is, paying for the privilege to print your ticket out on your own home printer) brought the recent $34.51 advertised ticket price for Atreyu to $56.66 and the $32.45 cost for Reel Big Fish to $54.60.
Buyers beware—that is, unless you enjoy paying a premium for pretty much nothing, and/or enriching the Death Star’s evil empire.
Co-host of “Sound Opinions,” “the world’s only rock ’n’ roll talk show,” originating at WBEZ and distributed nationally on public radio via PRX. DeRogatis is a full-time lecturer in the Professional Writing Program of the English Department at Columbia College Chicago and the author of eight books about music.
Like WBEZ on Facebook
- $7.3 million OKed for downtown ‘bus rapid transit’
- Board votes unanimously to close, restaff schools
- East Germany and Krypton Come to Chicago
- Report: McCarthy knew of NYPD Muslim spy program in NJ
- Video: White Mystery performs Take A Walk on Sound Opinions
- Chicago names schools to be closed, phased out
- CPS let building go to pot before ‘turnaround’?
- Morning News Update: Monday Jan. 7
- $7.3 million OKed for downtown ‘bus rapid transit’
- Announcing my duet with the reanimated corpse of Osama bin Laden
- Chicago wraps up the first set of meetings to map out the 2012 cultural plan
- After bringing youth to gang’s turf, cops won’t face charges
- Album review: Lana Del Rey, ‘Born to Die’ (Interscope)
- Board votes unanimously to close, restaff schools
- Critics slam Illinois lottery ticket sales
- Did CPS let building go to pot before ‘turnaround’?
- Dorothy Brown and Rick Munoz fling insults in Cook County Clerk of Court debate
- $7.3 million OKed for downtown ‘bus rapid transit’
- Jacques Brownson, architect of Daley Center and 55 E. Jackson building dies at 88
- Lost on the Dan Ryan
- Album reviews: Sleigh Bells and Cloud Nothings
- An interview with Steve Edwards
- Baby boomers most at-risk for hepatitis C as deaths rise
- Board votes unanimously to close, restaff schools
WBEZ Twitter Feed
-
Permit needed for South Side gun range http://t.co/cWaMSdXG15 hours 39 min ago











Comments
Wave of the future I guess. Movie theatres are starting to add a surcharge for the movies showing in/on the bigger theatres/screens at the multiplex. Sickening.
I think House of Blues has been doing something akin to this for years. I know that if you ate in their dining room the night of a show, you could get your ticket stamped and skip the ga line. I did this once or twice. I suppose it added a cost, but at least I got a meal out of it (and HoB actually has decent food).
These are optional, so skip the option if it doesn't appeal to you or outright bothers you. Some people may see a benefit in skipping the line, particularly if they are short and want to get a good line of sight at venues where such spots are at a premium.
I don't get how a voluntary payment to a discretionary entertainment event is pick pocketing. Gee gosh a company wants to try to recoup the $s it invested in making its product and bringing it to market. Duh. Don't want to pay, don't. Shows too expensive, don't go. Market will take care of pricing itself. Too easy and lazy to target Live Nation Ticketmaster Deathstar without which I dare suggest there'd be a lot less quality live music out there for fans to enjoy... some one's got to pony up and take on the upfront risk.
*Yawn.* Seriously, Jim - move on, already. I totally agree with Bill's statement above. Any venue that offers food usually offers upsells that the consumer can take or leave. It is the music BUSINESS, right?
shameful, yes. am i surprised , no! just like airlines, these companies can't make money on their core businesses, so they'll add on every possible fee/charge they can, especially if it hints at VIP status!
http://www.musicnewsnet.com/
Seems to me that the attendee would be getting $15 worth of food or merch for the $15 fee so the GA line perk is just a nice cherry on top.
This upselling isn't the real issue. The real issue is the monopolisation. The idea that "some one's got to pony up and take on the upfront risk" or else there would be no music is a little bit bloody ridiculous. These are middle men who don't give a flying f#©k what makes these magic noises happen. They just take the money.
What it takes to make music well is practice. Musicians have to spend years polishing their abilities to be genuinely good, but the industry just pushes them into self-promotion (which does involve extortion, the main reason it's so hard) and perpetual touring. Remember what the Beatles said about why they stopped touring? "It was impossible to improve"