Throughout his long and distinguished discography -- five studio albums with British folk-rock pioneers Fairport Convention, six extraordinary efforts with his then-wife Linda, a strong five-album solo run on Capitol from 1988 through 2001, and several consistently rewarding indie efforts since -- Richard Thompson has been the rare '60s musical legend whose powers have never diminished: not as a songwriter with a novelist's eye for social observation, not as a rich baritone vocalist who can move you to tears with the homely beauty of his voice, and not as one of the most melodic and inventive guitarists the British Isles ever have produced.
Album review: Weezer, "Hurley"
Sep. 13, 2010I was late getting to the "Lost" party --gotta confess, being strung along week after week by smoke monsters, time shifts, and glorified soap opera romantic triangles never have been my things -- but like many people, I eventually got sucked in by reruns when there was nothing else to watch, and after that I was eager to visit the island for every new episode through the last two years of the show's celebrated run. Also like many viewers, I found that a primary joy of watching was Hurley's "Dude" count: keeping tally of how many times in each episode the character portrayed by that incredibly sexy actor Jorge Garcia would utter his catchphrase. (This chart of Hurley's DPE -- Dudes Per Episode -- puts his all-time high at 17 in episode 10 of season 3, and his grand total throughout the show at 328.)
Nightclubbing: Adventures in Modern Music/Sƒ³nar, old-school prog and new-wave shoegaze, Pavement redux, and more
Sep. 10, 2010After kicking off with the great guitar maestro Rhys Chatham at the Museum of Contemporary Art on Wednesday, the "Adventures in Modern Music" series sponsored by the Empty Bottle and the Wire magazine -- and taking place this year in collaboration with Sƒ³nar as its first U.S. festival -- continues starting at 9 tonight with cutting-edge sounds from Rangda, the magnificent Efterklang, Michael Zerang/the Jim Baker Duo, and Buke & Gass at the club at 1035 N. Western. (The cover is $15.)
Neu!: Riding through the night (and stopping in Chicago this evening)
Sep. 8, 2010
Though his percussive partner Klaus Dinger died in March 2008, Neu! co-founder and guitarist Michael Rother is touring in an ensemble called Hallogallo 2010 with Steve Shelly of Sonic Youth and Aaron Mullan of Tall Firs, performing the music of that pioneering Krautrock duo as well as some of his solo material at Lincoln Hall tonight. (Tickets are $20, and the mighty fine Disappears open at 9 p.m.) This comes on the heels of a thorough and well-done new series of reissues of the group's extraordinary recordings.
In honor of these auspicious events, here is my sub-chapter on the band from my history of psychedelic rock, Turn on Your Mind.
Bye, Richie: You were no friend to Chicago music
Sep. 8, 2010My "Sound Opinions" colleague Greg Kot was quick out of the chute yesterday following the news that Mayor Richard M. Daley will not run for re-election with a damning story recounting the many ways that the like-father, like-son machine politician, so quick to trumpet this extraordinary city's other accomplishments, routinely displayed a tin ear to its unparalleled music scenes -- that is, when his minions weren't actively setting out to destroy them.
Album review: Mavis Staples and Jeff Tweedy
Sep. 7, 2010Album review: Mavis Staples, "You Are Not Alone" (Anti-) Rating: 3/4
At age 71, gospel and soul legend Mavis Staples is nothing short of an American treasure, and she long has been overdue for the late-career commercial and cultural resurgence -- renewed album sales, a basketful of Grammys, a new presence on television and movie soundtracks, and all the rest -- that we've often seen awarded to far lesser legacy talents. Yet while Staples has made a fine string of albums in the new millennium, including "Have a Little Faith" (which was released by the blues label Alligator in 2004), "We'll Never Turn Back" (the start of her association with the ever-hip Anti- label in 2007), and "Live: Hope at the Hideout" (2008), they've all lacked that certain indefinable "something" required to wake up a music world that's been taking her indomitable spirit and inspiring voice for granted.
It was 20 years ago today: The Flaming Lips
Sep. 2, 2010While I'm otherwise occupied, I've been using the blogging downtime to take a look back at 1990 and some of my favorite releases from that year from the perspective of two decades on. Today: "In a Priest Driven Ambulance," the first unqualified masterpiece by Oklahoma City's fabulous Flaming Lips, via an excerpt from my 2006 biography of the band, Staring at Sound.

The Flaming Lips, "In a Priest Driven Ambulance" (Restless) Rating:4/4






