We have to start with Chicago’s house dance community. I used to dance for a lot of the house-dance artists back when I was in high school: Kashmir who is better known as Green Velvet, Dashé, Tin City, Fast Eddie . . . a lot of the house-music artists. Footwork is a style that originated in Chicago out of the house-dance genre, and eventually the music started changing. They termed it ghetto house, then from ghetto house they called it juke…[laughs].
You’re familiar with house, right? Well OK, house—how do we describe house? House is dance music, it just has a [slaps hands] consistent thump that just makes you want to move [laughs]. House is such a free expression. We did of course have to choreograph certain things, anything from little pieces of vogue—you know vogueing—involved in house, lower body movement [snaps]. You know, footwork. We also did jazz movement, my partner and I—my former partner Larry Sims, who is now a celebrity hair stylist [laughs] who works and lives in LA. It’s such a free-spirited dance. You do what you feel —Afrocentric movement. I see a lot of breakers dancing to house. It’s probably, to me, the most free-spirited music. It doesn’t really put you in a box, whereas other genres of music have particular dances that you do to those particular types of music.
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