In the 1960, tape recorders, film cameras, and reproduction machines of all kinds entered the studio. Noted art historian Caroline Jones traces this development and examines its impact on artists and art works.
Caroline Jones is a Professor of History, Theory and Criticism at MIT, and the author of the groundbreaking book Machine in the Studio: Constructing the Postwar American Artist, and co-editor of Sensorium: Embodied Experience, Technology, and Contemporary Art.
Support for this program is generously provided by Penelope R. Steiner in honor of Sylvia Neil.
Recorded Tuesday, February 16, 2010 at Museum of Contemporary Art.
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