WBEZ | film http://www.wbez.org/tags/film Latest from WBEZ Chicago Public Radio en Rare film is glimpse of a distant America http://www.wbez.org/news/rare-film-glimpse-distant-america-113163 <img typeof="foaf:Image" src="http://llnw.wbez.org//main-images/daughterofdawn.jpg" alt="" /><p><div id="res442318236" previewtitle="From The Daughter of Dawn"><div><p style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/BIedxxNrLC4?rel=0" width="420"></iframe></p><p>For decades,&nbsp;<em>The Daughter of Dawn</em>&nbsp;was a &quot;lost film&quot; &ndash; a buried American treasure. The 1920 multi-reel, silent movie was rediscovered and restored a few years ago.</p></div></div><p>Only recently has the movie become more widely available. You can watch it on Netflix. You can also see some representative clips and a&nbsp;<a href="https://www.youtube.com/watch?v=9Hhb9QXxcCM" target="_blank">travelogue piece</a>&nbsp;on YouTube. And in December the&nbsp;<a href="http://www.okhistory.org/research/daughterofdawn" target="_blank">Oklahoma Historical Society</a>&nbsp;plans to issue DVD and Blu-ray versions.</p><p><em>The Daughter of Dawn</em>&nbsp;is more than just another Friday night flick. It is a cinematic wormhole into America&#39;s past.</p><p>&quot;The rediscovery of&nbsp;<em>The Daughter of Dawn</em>&nbsp;is a great historical find,&quot; Jeffrey M. Moore of the&nbsp;<a href="http://www.okpop.org/" target="_blank">Oklahoma Museum of Popular Culture</a>&nbsp;tells NPR. &quot;Not only is it significant because so few independent films from the silent era survived but it captures a time period often romanticized in a very real and authentic way. The imagery from American-Indian culture on the southern plains is for the most part presented unfiltered by the non-Indian filmmakers.&quot;</p><p>In the movie, Moore says, &quot;The viewer gets to see Kiowas and Comanches wearing their traditional clothing without the help of Hollywood wardrobe departments. Besides the scenes on horseback and hunting buffalo, there are scenes of traditional dances being performed that would have been forbidden by the federal government if not for the fact that they were part of the film.&quot;</p><p style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/emSPu6VoJjE?rel=0" width="420"></iframe></p><p>And the background landscape of the Wichita Mountains, he adds, &quot;gives an environmental purity lost when later films portraying Plains tribes would be filmed in locations like Monument Valley.&quot;</p><p>The Oklahoma Historical Society commissioned Comanche composer David A. Yeagley to write a musical score for the film.</p><p><strong>Past Meets Future</strong></p><p><img alt="From The Daughter of Dawn" src="http://media.npr.org/assets/img/2015/09/21/image_sq-a9c1da1676db0391b356eebdb26746b26fac6ece-s800-c85.jpg" style="text-align: center; height: 320px; width: 320px; float: left; margin-left: 10px; margin-right: 10px;" title="From The Daughter of Dawn (Courtesy of Oklahoma Historical Society)" /></p><p>The 80-minute movie is a melodramatic tale of love among Native Americans, featuring some 300 Kiowas and Comanches in all sorts of acting roles.</p><p>You can find a few old newspaper ads for showings of the movie, such as a three-night engagement in Joplin, Mo. in the spring of 1921 that included a half-dozen Native American actors appearing in real life.</p><p>The film&#39;s setting &mdash; a lovely and hauntingly unspoiled stretch of landscape &mdash; represents a national geographic crossroads. &quot;Four types of habitat could be found in the Wichita Mountains: rocklands, aquatic, mixed grass prairie, and cross-timbers,&quot; writes Douglas Brinkley in&nbsp;<em>The Wilderness Warrior: Theodore Roosevelt and the Crusade for America.</em>&nbsp;&quot;It was said by western frontiersmen that the ancestral Wichitas &ndash; this series of rock prominences &ndash; was where the East met the West at the vertex of the Great Plains.&quot;</p><p>And&nbsp;<em>The Daughter of Dawn</em>&nbsp;represents a crossroads of perception. Seeing the film, you do get the feeling that the black-and-white, silent movie &ndash; replete with bison herds, village scenes, ritualistic dancing and derring-do &ndash; takes us back to the early 20th century and then catapults us back even farther than that. A time when Hollywoodish sensibilities were just beginning to reshape historical America &mdash; a time when real met reel.</p><p><em>The Library of Congress lists&nbsp;The Daughter of Dawn&nbsp;in the&nbsp;<a href="https://www.loc.gov/programs/national-film-preservation-board/film-registry/" target="_blank">National Film Registry</a>, a collection of culturally valuable movies.</em></p><p><em>&mdash;<a href="http://www.npr.org/sections/npr-history-dept/2015/10/02/442317667/rare-film-is-glimpse-of-a-distant-america?ft=nprml&amp;f=442317667" target="_blank"> via NPR&#39;s History Dept.</a></em></p></p> Fri, 02 Oct 2015 14:01:00 -0500 http://www.wbez.org/news/rare-film-glimpse-distant-america-113163 The high stakes of Guatemala's election http://www.wbez.org/programs/worldview/2015-09-11/high-stakes-guatemalas-election-112909 <p><div class="image-insert-image "><img alt="" class="image-original_image" src="http://www.wbez.org/system/files/styles/original_image/llo/insert-images/Luis%20Soto.jpg" title="(Photo: Flickr/Luis Soto) " /></div><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/223424511&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_artwork=false" width="100%"></iframe></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><span style="font-size: 22px; background-color: rgb(255, 244, 244);">Tough decisions ahead for Guatemala</span></p><div style="margin: 0px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-size: 14px; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><p>On Tuesday, former Guatemalan president Otto Pérez Molina was jailed on corruption charges and he&rsquo;s now waiting to stand trial on corruption charges. He was put in jail just hours after resigning from office. Molina maintains his innocence and says the United States may be to blame. In the meantime, elections held in Guatemala this past Sunday failed to elect a new president and will now go to a runoff. Protesters continue to take to the streets to demand change. We&rsquo;ll talk about the political turmoil in Guatemala with Adriana Beltrán, senior associate for citizen security at the Washington Office on Latin America.</p><p><strong>Guest:</strong> <em><a href="http://twitter.com/Adriana_WOLA">Adriana Beltran</a> is a senior associate for citizen security at the Washignton Office on Latin America (WOLA).&nbsp;</em></p></div><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/223425535&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_artwork=false" width="100%"></iframe></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><span style="font-size: 22px; background-color: rgb(255, 244, 244);">The 2015 Telluride Film Festival</span></p><div style="margin: 0px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-size: 14px; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><p>Film contributor Milos Stehlik is just back from the 42nd annual Telluride Film Festival. He&rsquo;ll share some of the highlights, along with Tom Luddy, co-founder of the festival.</p><p><strong>Guests:</strong></p><ul><li><em><span id="docs-internal-guid-68bba60b-bdf7-66fa-636a-a8da8b450501">Tom Luddy is the co-founder and co-director of the Telluride Film Festival.</span></em></li><li><em><a href="http://twitter.com/milosstelik">Milos Stehlik</a> is the WBEZ film contributor and the director of Facets Multimedia.</em></li></ul></div><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/223426014&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_artwork=false" width="100%"></iframe></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><span style="font-size: 22px; background-color: rgb(255, 244, 244);">An interview with shodo master Seiran Chiba</span></p><div style="margin: 0px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-size: 14px; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><p>The Japanese calligraphy art form known as Shodo means &ldquo;way of the brush. &rdquo; Seiran Chiba is a &ldquo;large-scale&rdquo; Shodo master. She is also a special ambassador for the city of Fukushima, known for the catastrophic Daiichi nuclear disaster of 2011. Ms. Chiba is in Chicago to display her work and talk about the intricacies and history of Shodo. We&rsquo;ll ask her what motivates her dedication and her desire to teach others about Shodo.</p><p><strong>Guests:</strong></p><ul><li><em><span id="docs-internal-guid-68bba60b-bdfb-2197-9ccb-12c5a519c91d">Seiran Chiba is a &ldquo;large-scale&rdquo; Shodo master. </span></em></li><li><em>Wataru Inoue interpreted Ms. Chiba&rsquo;s remarks.</em></li></ul><p dir="ltr"><span id="docs-internal-guid-4a77ca8b-be12-efff-6ce7-2152f0db3258"><strong>EVENT:&nbsp;</strong></span><em>Seiran Chiba Shodo (calligraphy) showcase</em></p><p dir="ltr"><span id="docs-internal-guid-4a77ca8b-be12-efff-6ce7-2152f0db3258">Japanese Culture Center,&nbsp;</span>1016 W. Belmont</p><p dir="ltr"><span id="docs-internal-guid-4a77ca8b-be12-efff-6ce7-2152f0db3258">Saturday, September 12th, 2 PM to 3 PM. &nbsp;</span></p><p dir="ltr"><span id="docs-internal-guid-4a77ca8b-be12-efff-6ce7-2152f0db3258">Part of &nbsp;annual Open House &nbsp;from 12 PM - 4 PM. &nbsp;</span></p><p dir="ltr"><span id="docs-internal-guid-4a77ca8b-be12-efff-6ce7-2152f0db3258">Event is free, donations accepted</span></p></div><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/223426682&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_artwork=false" width="100%"></iframe></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><span style="font-size: 22px; background-color: rgb(255, 244, 244);">The life and times of Thomas Mapfumo</span></p><div style="margin: 0px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-size: 14px; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><p>Thomas Mapfumo is one of Zimbabwe&rsquo;s most well -known musicians. He&rsquo;s recognized not only for his music but his political activism. Through his music he&rsquo;s advocated for equal rights and been an outspoken critic of government corruption. In 2000, facing pressure and censorship from the government of Zimbabwe, he was forced to leave the country and move to the US, where he&rsquo;s continued his musical career and fight for human rights. Banning Eyre, author of the new biography &ldquo;Lion Songs: Thomas Mapfumo and the Music that made Zimbabwe,&rdquo; joins us to talk about Mapfumo&rsquo;s music and his activism. Thomas Mapfumo performs this weekend in Chicago.</p><p><strong>Guest:&nbsp;</strong><em><span id="docs-internal-guid-68bba60b-bdfd-8dde-9a5f-4cd0010bd896"><a href="http://twitter.com/banningeyre">Banning Eyre</a> is the senior producer of Afro Pop Worldwide and author of the biography &#39;Lion Songs: Thomas Mapfumo and the Music that made Zimbabwe&#39;. </span></em></p><div>&nbsp;</div></div><p>&nbsp;</p></p> Fri, 11 Sep 2015 14:33:00 -0500 http://www.wbez.org/programs/worldview/2015-09-11/high-stakes-guatemalas-election-112909 China's need for sustained growth http://www.wbez.org/programs/worldview/2015-08-21/chinas-need-sustained-growth-112705 <p><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/220291966&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_artwork=false" width="100%"></iframe></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><span style="font-size: 22px; background-color: rgb(255, 244, 244);">China&#39;s devaluation practices spook economy</span></p><div style="margin: 0px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-size: 14px; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><p>The US stock market registered its worst performance in 18 months this week- driven at least in part by the volatility and recent slump in the Chinese stock market. The Chinese government has tried a host of measures to try to prop up its stock market and manage the devaluation of its currency. Despite the intervention, China&rsquo;s economic growth is slowing. We&rsquo;ll take a look at what that could mean for the global economy with Patrick Chovanec, chief strategist and managing director at Silvercrest Asset Management and an adjunct professor at Columbia University&rsquo;s School of International and Public Affairs.</p><p><strong>Guest:</strong>&nbsp;<em><span id="docs-internal-guid-db682c02-51bd-691b-71bc-879719ac2cb1"><a href="http://twitter.com/prchovanec">Patrick Chovanec </a>is </span>chief strategist and managing director at Silvercrest Asset Management and an adjunct professor at Columbia University&rsquo;s School of International and Public Affairs.</em></p><div>&nbsp;</div></div><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/220292261&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_artwork=false" width="100%"></iframe></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><span style="font-size: 22px; background-color: rgb(255, 244, 244);">&#39;The Iron Ministry&#39; explores China&#39;s railway system</span></p><div style="margin: 0px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-size: 14px; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><p>China&rsquo;s train system is the largest in the world, and carried a whopping 1,060 billion passengers in 2013. Unsurprisingly, the railway system is used in a variety of ways, and filmmaker J.P. Sniadecki spent three years trying to film them all. The result was a documentary called &lsquo;The Iron Ministry,&rsquo; which debuts at Facets here in Chicago this weekend. Film contributor Milos Stehlik and Sniadecki, a film professor at Northwestern University, joins us today to discuss his film, and the intricacies of China&rsquo;s vast railways.</p><p><strong>Guests:</strong></p><ul><li>Milos Stehlik is the director of Facets Multimedia and WBEZ&rsquo;s film contributor.</li><li><span id="docs-internal-guid-db682c02-51bf-d2df-332d-3ca0b6dad42d"><a href="http://twitter.com/J.P.Snidaecki">J.P Sniadecki</a> is the director of Iron Ministry.&nbsp;</span></li></ul></div><p>&nbsp;</p><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/220292544&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_artwork=false&amp;show_artwork=false" width="100%"></iframe></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><span style="font-size: 22px; background-color: rgb(255, 244, 244);">Weekend Passport: &#39;Doing Business in the Ancient World&#39;</span></p><div style="margin: 0px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-size: 14px; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><p>Each week global citizen Nari Safavi helps listeners plan their international weekend. This week we&rsquo;ll hear about an exhibit at the University of Chicago&rsquo;s Booth School that explores what it was like to do business in the ancient world.</p><p><strong>Guests:</strong></p><ul><li><em><span id="docs-internal-guid-db682c02-51c3-3c0d-0fc5-e0da593e0244">Nari Safavi is one of the founders of Pasfarda Arts and Cultural Exchange. </span></em></li><li><em>Jack Green is the chief curator at the University of Chicago&rsquo;s Oriental Institute.</em></li><li><em>Brittany Hayden is co curator of the exhibit and a PHD candidate in near eastern languages and civilizations at the University of Chicago .</em></li></ul><div>&nbsp;</div><div>&nbsp;</div><div>&nbsp;</div></div><p>&nbsp;</p></p> Fri, 21 Aug 2015 14:25:00 -0500 http://www.wbez.org/programs/worldview/2015-08-21/chinas-need-sustained-growth-112705 Ethiopian elections http://www.wbez.org/programs/worldview/2015-06-05/ethiopian-elections-112150 <p><div class="image-insert-image "><img alt="" class="image-original_image" src="http://www.wbez.org/system/files/styles/original_image/llo/insert-images/R%20Hagel%20flickr.jpg" style="width: 497px; height: 375px;" title="(Photo: Flickr/R Hagel)" /></div><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/208999630&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_artwork=false" width="100%"></iframe><span style="font-family: inherit; font-size: 23.9999980926514px; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; color: rgb(51, 51, 51); background-color: rgb(255, 244, 244);">Ethiopia appears set to remain a one party country</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-size: 14px; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);">Ethiopia&#39;s ruling party appears to have won a landslide victory in the country&#39;s parliamentary elections. Opposition leaders accused the party of trying to intimidate and harass supporters of their parties. Girma Birru, the Ethiopian Ambassador to the United States, joins us to discuss the elections and the state of Ethiopian politics.<br /><br /><strong>Guest:</strong>&nbsp;<em><a href="http://www.ethiopianembassy.org/AboutEmbassy/AboutEmbassy.php?Page=Biography.htm">Girma Birru</a> is Ethiopian Ambassador to the U.S.</em></p><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/208999631&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_artwork=false" width="100%"></iframe><span style="color: rgb(51, 51, 51); font-family: inherit; font-size: 23.9999980926514px; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; background-color: rgb(255, 244, 244);">International films to see this weekend</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-size: 14px; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);">Film contributor Milos Stehlik reviews two films showing this weekend&nbsp;<em>Rebels of the Neon God&nbsp;</em>by Taiwanese director Tsai Ming-liang, and <em>A Wolf At the Door</em>, the debut film by Brazilian writer-director Fernando Coimbra.<br /><br /><strong>Guest:</strong>&nbsp;<em><a href="https://twitter.com/milosstehlik">Milos Stehlik</a> is the director of <a href="https://twitter.com/facetschicago">Facets Chicago</a> and the WBEZ film contributor.&nbsp;</em></p><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/208999632&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_artwork=false" width="100%"></iframe><span style="color: rgb(51, 51, 51); font-family: inherit; font-size: 23.9999980926514px; font-style: inherit; font-variant: inherit; font-weight: inherit; line-height: inherit; background-color: rgb(255, 244, 244);">Weekend Passport: International storytelling fesitval and food truck social</span></p><p style="margin: 0px 0px 18px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-size: 14px; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);">Each week global citizen Nari Safavi helps listeners plan their international weekend. This week he&rsquo;ll tell us about the Black Ensemble Theatre&rsquo;s first ever International Cultural Festival and a food truck event in Pilsen.<br /><br /><strong>Guests:</strong></p><ul><li style="margin: 0px 0px 18px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-size: 14px; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><em><a href="http://www.lindagorham.com/">Linda Gorham</a> is a performer and storyteller.&nbsp;</em></li><li style="margin: 0px 0px 18px; padding: 0px; border: 0px; font-family: Arial, sans-serif; font-size: 14px; font-stretch: inherit; line-height: 22px; vertical-align: baseline; color: rgb(51, 51, 51);"><em>Nari Safavi is one of the co-founders of the <a href="http://www.pasfarda.org/default.aspx">PASFARDA Arts &amp; Cultural Exchange</a>.</em></li></ul><p>&nbsp;</p></p> Fri, 05 Jun 2015 17:26:00 -0500 http://www.wbez.org/programs/worldview/2015-06-05/ethiopian-elections-112150 Worldview: Group of republicans send letter to government of Iran http://www.wbez.org/programs/worldview/2015-03-12/worldview-group-republicans-send-letter-government-iran-111692 <p><div class="image-insert-image "><img alt="" class="image-original_image" src="http://www.wbez.org/system/files/styles/original_image/llo/insert-images/AP745330664455.jpg" style="height: 458px; width: 620px;" title="Sen. Tom Cotton, R-Ark. arrives to pose for photographers in his office on Capitol Hill in Washington, Wednesday, March 11, 2015. The rookie Republican senator leading the effort to torpedo an agreement with Iran is an Army veteran with a Harvard law degree who has a full record of tough rhetoric against President Barack Obama's foreign policy. (AP Photo/Carolyn Kaster)" /></div><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/195568203&amp;color=ff5500&amp;auto_play=false&amp;show_artwork=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false" width="100%"></iframe><span style="color: rgb(51, 51, 51); font-family: Arial, sans-serif; font-size: 23.9999980926514px; line-height: 22px;">Republicans send letter to Iran</span></p><p dir="ltr"><span id="docs-internal-guid-c1b0020a-0fdd-b416-f4fb-ee478b0fe778">Earlier this week a group of 47 Republican senators sent a letter to the Iranian government explaining how the US Congress functions, noting that executive agreements can be overturned by Obama&rsquo;s successor &ldquo;with the stroke of a pen.&rdquo; The letter came as the U.S. and several other nations are engaged in negotiations over Iran&rsquo;s nuclear program. Today, Iran&rsquo;s Supreme Leader, &nbsp;Ayatollah Khamenei said the letter raised concerns about the trustworthiness of the US government and was &nbsp;&quot;a sign of the decay of political ethics in the American system.&quot; &nbsp;Richard Haas, &nbsp;president of the</span><a href="http://www.cfr.org/"> Council on Foreign Relations,</a> joins us to discuss how the state of the negotiations and the implications of the letter on US foreign policy.</p><div><strong>Guest:&nbsp;</strong><em><a href="https://twitter.com/RichardHaass">Richard Haass</a> is the president of the <a href="https://twitter.com/CFR_org">Council on Foreign Relations</a>.</em></div><div>&nbsp;</div><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/195569343&amp;color=ff5500&amp;auto_play=false&amp;show_artwork=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false" width="100%"></iframe><span style="color: rgb(51, 51, 51); font-family: Arial, sans-serif; font-size: 23.9999980926514px; line-height: 22px;">A retrospective of Ruben Ostlund films</span></p><p dir="ltr"><span id="docs-internal-guid-6cdcef99-0fe0-b45d-89b8-4d2309dcedda">&ldquo;Force Majeure&rdquo; was the first film by Swedish director Ruben Ostlund to get a U.S. release. It also won a major prize at this year&rsquo;s Cannes Film Festival. A retrospective of the films of Ruben Ostlund, shows this weekend and next weekend at Facets Multimedia. Film contributor Milos Stehlik and Alissa Simon, senior programmer of the Palm Springs International Film Festival and film critic for Variety join us to talk about Ostlund&rsquo;s work.</span></p><div><strong>Guests:&nbsp;</strong></div><div>&nbsp;</div><div><em><a href="https://twitter.com/milosstehlik">Milos Stehlik</a> is the director of <a href="https://twitter.com/facetschicago">Facets Chicago</a> and the WBEZ film contributor.</em></div><div>&nbsp;</div><div><em>Alissa Simon is the senior programmer of the Palm Springs International Film Festival and a film critic for <a href="https://twitter.com/Variety">Variety</a>.</em></div><div>&nbsp;</div><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/195570088&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_artwork=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false" width="100%"></iframe><font color="#333333" face="Arial, sans-serif"><span style="font-size: 23.9999980926514px; line-height: 22px;">Global Activism: Chicago Danztheater Ensemble</span></font></p><p><span id="docs-internal-guid-31cd0f5d-0fe4-4599-7d54-d2c964aad823">Ellyzabeth Adler is founder and executive director of Chicago Danztheatre Ensemble. The performing arts group, &ldquo;through innovative, multidisciplinary storytelling...unite[s] varied art media to achieve an all-embracing, radical change in humankind.&rdquo; Ellyzabeth wrote us that she was so inspired by our </span>Global Activism segment, that she organized her own arts festival of &ldquo;music, dance, theatre, media and art all around activism.&rdquo; We invited Ellyzabeth to tell us about how she stresses activism in her art, at home and abroad.</p><p><strong>Guest:&nbsp;</strong><em><span id="docs-internal-guid-31cd0f5d-0fe4-9acc-b2ce-1116e88ca5db">Ellyzabeth Adler is the</span>&nbsp;founder and executive director of <a href="https://twitter.com/Chi_Danztheatre">Chicago Danztheatre Ensemble</a>.</em></p></p> Thu, 12 Mar 2015 16:11:00 -0500 http://www.wbez.org/programs/worldview/2015-03-12/worldview-group-republicans-send-letter-government-iran-111692 Academy Award fever sweeps public radio http://www.wbez.org/news/culture/academy-award-fever-sweeps-public-radio-111590 <p><p>The 87th Academy Awards are tonight, but if you&#39;ve been listening to WBEZ you already know that. Public media had film fever lately, publishing in-depth interviews and stories on the filmmaking process. Here&#39;s a selection of our favorite interviews with Oscar-contenders, stories about the film industry and analysis from thoughtful critics.</p><p><span style="font-size: 24px;">Best Director Nominees</span></p><p>Our own <a href="http://nerdettepodcast.com/listen">Nerdette Podcast</a> had a wonderful interview with <em>Boyhood</em> director Richard Linklater. He explained how his approach to the film was informed by novel-writing and nerded out about the Ingmar Bergman film, <em>Fanny and Alexander</em>, &quot;I realized this is the greatest film about that view of the magical thinking of a kid.&quot;</p><p><iframe frameborder="no" height="100" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/191621846&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_artwork=false" width="100%"></iframe></p><div class="image-insert-image "><img alt="" class="image-original_image" src="http://www.wbez.org/system/files/styles/original_image/llo/insert-images/KeatonBirdman.png" style="float: left; height: 200px; width: 300px;" title="Michael Keaton and Alejandro González Iñárritu (Courtesy of Fox Searchlight)" /><em>Birdman</em> director Alejandro González Iñárritu told <a href="http://www.scpr.org/programs/the-frame/2014/09/01/39126/birdman-alejandro-gonzlez-inarritu-michael-keaton/" target="_blank">Southern California Public Radio&#39;s <em>The Frame</em></a> he felt Michael Keaton&rsquo;s performance was &ldquo;almost a miracle.&rdquo;</div><blockquote><p>&quot;During the writing process, I had Michael Keaton as one of the highest possibilities, but then when I finished I knew that he was the best. Not only because he will bring the authority to really talk about what we talk about when we talk about superheroes. That would be Michael, because he, in a way, is the pioneer of that. That will bring the authority, a kind of a meta-dialogue to the film.</p><p>&quot;At the same time, I always have considered Michael Keaton to be a phenomenal actor because he navigates drama and comedy. He has been the bad guy, the funny guy, and I needed somebody who can really navigate those two genres and I think few actors can do that. What he did is extraordinarily difficult, honestly. I think I have worked with great actors, but what he did it was almost a miracle, I have to say.&quot;</p></blockquote><div class="image-insert-image "><img alt="" class="image-original_image" src="http://www.wbez.org/system/files/styles/original_image/llo/insert-images/AP722953903556.jpg" style="float: right; height: 200px; width: 300px;" title="Ralph Fiennes and Wes Anderson (AP/Thibault Camus)" />Writer/director Wes Anderson <a href="http://www.scpr.org/programs/the-frame/2015/02/10/41493/wes-anderson-says-the-grand-budapest-hotels-succes/" target="_blank">told <em>The Frame</em></a> that the success of <em>The Grand Budapest Hotel</em> was a &ldquo;total mystery.&rdquo;</div><blockquote><div>&ldquo;I could come up with some notion, but it&#39;s complete guess work ... I had one a few years ago, [&quot;The Life Aquatic with Steve Zissou&quot;], that I thought, This is an ocean-going adventure story, it&#39;s the most commercial idea I&#39;ve ever had...[but] almost no one went to see it. I thought I was making a kind of Spielberg movie. The world did not share my perspective on this. Up until the moment there&#39;s a real public screening &mdash; and it&#39;s not a test screening, the movie is finished and we are at a film festival&nbsp; or something &mdash; I have absolutely no sense of how it&#39;s going to go over at all. And really, even after that, I tend not to.&rdquo;</div></blockquote><p>While Benedict Cumberbatch has recieved most of the attention over <em>The Imitation Game</em>, director Morten Tlydum has also been nominated for Best Director on his first English-language feature. He <a href="http://www.scpr.org/programs/the-frame/2014/09/02/39151/telluride-the-imitation-game-screenwriter-and-dire/" target="_blank">told <em>The Frame</em></a>:</p><blockquote><p>&quot;What drew me to the project is that it&#39;s a tribute to people who are different &mdash; who are thinking differently, who [don&#39;t] really fit into the norm, whose ideas are not like anybody&#39;s ideas &mdash; and I think that is so important. We as a society &mdash; we as a species &mdash; if we&#39;re going to move forward, we have to listen to those who think different &mdash; who are not seeing it in the same way as everyone else.&quot;</p></blockquote><p><span style="font-size:24px;">Best Picture Nominees</span></p><p><em>Selma</em> was a favorite for nominations in a number of Oscar categories, but was limited to Best Picture and Best Song. This slight prompted an insightful conversation on WBEZ&#39;s <em>General Admission</em> podcast about the value of making lists about art and how they can starkly show the industry&#39;s lack of diversity.</p><p><iframe frameborder="no" height="100" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/191665733&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_artwork=false" width="100%"></iframe></p><p>The most controversal film among the Best Picture nominees, <em>American Sniper</em> became a central point on <em>Filmspotting</em>&#39;s Oscar preview episode. They looked back to another Clint Eastwood directoral effort for comparison&mdash;<em>Unforgiven.</em></p><p><iframe frameborder="no" height="100" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/190985372&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_artwork=false" width="100%"></iframe></p><p><em>Whiplash</em> writer/director Damien Chazelle <a href="http://www.scpr.org/programs/the-frame/2014/10/09/39765/whiplash-director-damien-chazelle-painful-virtuoso/" target="_blank">told <em>The Frame</em></a> that he was inspired by musicians he knows in real life.</p><blockquote><p>&quot;There are a few musicians that I know who seem on the outside like very asocial or somewhat unemotional people, people who aren&#39;t capable of emotions, and people think they&#39;re very cold inside.</p><p>And they&#39;ll be like that, and then you&#39;ll hear them play their instrument, or you&#39;ll hear the music they write, and you&#39;ll hear emotions come out of that music that you&#39;d never expect coming from that person, and that to me is always this fascinating thing, these people who truly can only communicate through music.</p><p>So I wanted to make a movie about people who live music in that way and compare that to what it&#39;s like in the outside world. You know, a guy who gives his heart and soul to a music school and an instrument and then he goes out to dinner with his family and he&#39;s met with indifference, and what that sort of does to you when your interior passion doesn&#39;t line up with what the world wants from you.&rdquo;</p></blockquote><p><span style="font-size:24px;">Hollywood Jobs</span></p><p>NPR&#39;s <em>Morning Edition</em> contined their ten-year tradition of unleashing Susan Stamberg on Tinseltown backlots for her series &quot;<a href="http://www.npr.org/series/147290803/hollywood-jobs#" target="_blank">Hollywood Jobs</a>.&quot; In this year&#39;s installment Stamberg profiles soundtrack loopers, food stylists, costume designers, location scouts and prop makers.</p><p>In a similar vein, <em>Marketplace </em>learned <a href="http://www.marketplace.org/topics/business/logistical-mind-behind-boyhoods-12-year-shoot" target="_blank">what exactly a first assistant director does</a> and did the numbers on the <a href="http://www.marketplace.org/topics/business/economy-red-carpet" target="_blank">economy of the red carpet</a>.</p></p> Thu, 19 Feb 2015 11:48:00 -0600 http://www.wbez.org/news/culture/academy-award-fever-sweeps-public-radio-111590 The human angle to the Ukraine conflict http://www.wbez.org/programs/worldview/2015-02-06/human-angle-ukraine-conflict-111516 <p><div class="image-insert-image "><img alt="" class="image-original_image" src="http://www.wbez.org/system/files/styles/original_image/llo/insert-images/AP745161862320.jpg" style="height: 356px; width: 620px;" title="A resident rides his bicycle through a destroyed street in the town of Vuhlehirsk, Ukraine, Friday, Feb. 6, 2015.(AP Photo/Petr David Josek)" /></div><div class="image-insert-image "><p dir="ltr"><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/189848075&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_artwork=false&amp;show_user=true&amp;show_reposts=false" width="100%"></iframe></p><p dir="ltr"><font color="#333333" face="Arial, sans-serif"><span style="font-size: 23.9999980926514px; line-height: 22px;">The Ukranian crisis hits home</span></font></p><p dir="ltr"><span id="docs-internal-guid-a04d95d6-60fd-cd35-be14-02804a474b2a">Fighting keeps ramping up in eastern Ukraine.&nbsp;</span><span id="docs-internal-guid-a04d95d6-60fd-cd35-be14-02804a474b2a">NATO reports there are hundreds of Russian tanks and armored vehicles there which Russia denies.&nbsp;</span><span id="docs-internal-guid-a04d95d6-60fd-cd35-be14-02804a474b2a">The United Nations&rsquo; refugee agency says the conflict has killed more than five thousand people and displaced nearly one million inside the country.&nbsp;</span><span id="docs-internal-guid-a04d95d6-60fd-cd35-be14-02804a474b2a">Local authorities are evacuating people, but many are still trapped in basements and buildings by the fighting.&nbsp;</span><span id="docs-internal-guid-a04d95d6-60fd-cd35-be14-02804a474b2a">The White House is considering whether to send arms.</span>The Chicago region&rsquo;s home to a big Ukrainian population. &nbsp;We have two members of the community here today to tell us what people think of the conflict, and how they&rsquo;re affected.</p></div><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/189848910&amp;color=ff5500&amp;auto_play=false&amp;show_artwork=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false" width="100%"></iframe></p><p><font color="#333333" face="Arial, sans-serif"><span style="font-size: 23.9999980926514px; line-height: 22px;">Red Army: a documentary about the Soviet hockey team</span></font></p><p><span id="docs-internal-guid-567fbaa2-6104-aac1-91ad-d034afd66b1a">During the Cold War, &nbsp;the U.S. and former Soviet Union avoided squaring off directly on the battlefield, &nbsp;but they did use sports as a vehicle to assert dominance. Many films and documentaries tell of the 1980 USA Olympic hockey team (&ldquo;Miracle on Ice&rdquo;). But the feature documentary, </span>Red Army, tells the little-told story the USSR&rsquo;s Red Army hockey team, through the eyes of famed team captain Viachaslav Fetisov. WBEZ film contributor, Milos Stehlik, talked with Red Army&rsquo;s director, Chicagoan Gabe Polsky, &nbsp;about documenting the uniqueness of this history-making team.</p><p><iframe frameborder="no" height="166" scrolling="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/189849582&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_artwork=false&amp;show_reposts=false" width="100%"></iframe></p><p><font color="#333333" face="Arial, sans-serif"><span style="font-size: 23.9999980926514px; line-height: 22px;">Weekend Passport: The Wild and Scenic Film festival in Evanston</span></font></p><p>Every week global citizen Nari Safavi helps listeners plan their international weekend. This week we&rsquo;ll tell you about an environmental film festival in Evanston and the 25th annual Iran Film Festival.</p></p> Fri, 06 Feb 2015 16:19:00 -0600 http://www.wbez.org/programs/worldview/2015-02-06/human-angle-ukraine-conflict-111516 Get to know the man behind the 'Nostalgia Critic' http://www.wbez.org/blogs/leah-pickett/2013-11/get-know-man-behind-nostalgia-critic-109210 <p><p><iframe allowfullscreen="" frameborder="0" height="320" src="http://blip.tv/play/gbk7g5OrTwI.x?p=1" width="620"></iframe><embed src="http://blip.tv/api.swf#gbk7g5OrTwI" style="display:none" type="application/x-shockwave-flash"></embed></p><p>The titular frontman of the popular web series &quot;<a href="http://thatguywiththeglasses.com/videolinks/thatguywiththeglasses/nostalgia-critic" target="_blank">Nostalgia Critic</a>&quot;&nbsp;is not the most warm and fuzzy of characters.&nbsp;</p><p>On the contrary, Chicago-based writer, comedian, and filmmaker Doug Walker&nbsp;plays the Critic as a bitter and maniacal loose cannon, reviewing mostly nostalgic films and television shows, sometimes old commercials and video games (often of the cheesy 80s and 90s variety, but recently contemporary works too) with frequent sarcasm and bursts of rage.&nbsp;</p><p>Yet Walker&#39;s&nbsp;satirical lashing of everything from &quot;The Care Bears&quot; to &quot;Catwoman&quot; is also the very basis of his appeal, and the reason why millions of Internet viewers keep tuning in to watch his videos week after week.</p><p>The episodes &mdash; available for endless hours of free viewing on <a href="http://thatguywiththeglasses.com" target="_blank">That Guy with the Glasses.com</a>&nbsp;&mdash; are consistently smart, fresh, and funny, with plenty of clips and expertly-edited footage to keep Walker&#39;s signature brand of comedic timing both delightfully nerdy and satisfyingly sharp.&nbsp;</p><p>I&#39;ve been a fan of Walker for many years, first discovering his videos on YouTube (where &quot;Nostalgia Critic&quot; originally launched in 2007), then following him to his current partnership with online media production company <a href="http://en.wikipedia.org/wiki/Channel_Awesome" target="_blank">Channel Awesome</a>&nbsp;and content host&nbsp;<a href="http://en.wikipedia.org/wiki/Blip.tv" target="_blank">Blip.tv</a>.&nbsp;</p><p>Other shows and specials that Walker has launched include &quot;Shut Up and Talk,&quot; the Q&amp;A comedy series &quot;Ask That Guy,&quot; &quot;Sibling Rivalry&quot; with brother and co-writer Rob Walker, &quot;Bum Reviews,&quot; the science fiction parody film &quot;To Boldy Flee,&quot; and&nbsp;<a href="http://thatguywiththeglasses.com/videolinks/thatguywiththeglasses" target="_blank">many more</a>.</p><p>But when I pulled up to Walker&#39;s office in Lombard to finally meet the man behind the content,&nbsp;I wasn&#39;t quite sure what to expect.</p><p><img alt="" class="image-original_image" src="http://www.wbez.org/system/files/styles/original_image/llo/insert-images/NC%20Anime.jpg" style="float: left; height: 226px; width: 300px;" title="(Courtesy of Doug Walker/Channel Awesome)" />I was greeted by Mike Michaud, chief executive officer of Channel Awesome, who gave me a tour of the facilities. A living area with a couch and TV (which I immediately recognized from recent &quot;Nostalgia Critic&quot; sketches) opend up to a surprisingly large warehouse space in back, containing a treasure trove of assorted costumes, props, lights, cameras, and set pieces.</p><p>I also spotted a green screen used in many of Walker&#39;s videos, as well as a colorful &quot;Saved by the Bell&quot; diner-inspired set for a new Channel Awesome game show, which Michaud said will premiere in 2014.&nbsp;</p><p>When Walker arrived, we began what ended up being a nearly two hour-long conversation about his creative process. He was incredibly gracious, friendly, and sincere; the kind of guy you could easily imagine geeking out with over pizza and a &quot;Batman&quot; movie marathon, or warmly welcoming Nostalgia Critic devotees who&#39;ve waited in five-hour lines at conventions&nbsp;<a href="http://www.youtube.com/watch?v=GXviOGIG9F0" target="_blank">just to get his autograph</a>.</p><p>In person, Walker&#39;s charisma seems effortless. Coupled with his quick wit and refreshing lack of pretension, it&#39;s no wonder that he has acquired a massive fan following over the years.</p><p>Michaud said <a href="http://thatguywiththeglasses.com" target="_blank">That Guy with the Glasses</a> averages about 220,000 site visits a day and between 20 and 22 million page views a month, with 1 million being unique views from new visitors.&nbsp;</p><p><strong>Some background:&nbsp;</strong></p><p>Walker was born in Naples, Italy; and because his father was in the Navy, lived in many different places across the United States when he was growing up. He went on to study film at Northern Illinois University, majoring in communications.</p><p>After college, he worked as an illustrator and started making YouTube videos for fun. He first grabbed viewers&#39; attention with clever&nbsp;<a href="http://thatguywiththeglasses.com/videolinks/thatguywiththeglasses/5-second-movies" target="_blank">5 second movie</a>&nbsp;versions of popular films, and gained more notoriety with his snarky &quot;Nostalgia Critic&quot; reviews. &nbsp;</p><p>In 2008, &quot;Nostalgia Critic&quot; moved from YouTube to the independent site That Guy With the Glasses and Channel Awesome. By 2009, an increased income from advertising on the new site allowed Walker to quit his day job (a video that he made to commemorate the occasion also&nbsp;<a href="http://www.youtube.com/watch?v=m0MyoyRd44s">went viral</a>) and develop his web persona full-time.&nbsp;</p><p>Toward the end of 2012, Walker briefly retired the &quot;Nostalgia Critic&quot; to concentrate on another web series,&quot;Demo Reel.&quot;&nbsp;</p><p>The Critic made his triumphant comeback in the January special,&nbsp;<a href="http://www.youtube.com/watch?v=fqJmDs-5ViI" target="_blank">The Review Must Go On</a>, but under&nbsp;some new conditions:</p><ul><li>The sixth season of the show would be more sketch-driven than seasons past, with &quot;Demo Reel&quot; actors Malcolm Ray and Rachel Tietz coming on board as side characters. &nbsp;</li><li>The Critic would be able to review more recent releases &mdash; like &quot;The Odd Life of Timothy Green,&quot; the awful 2012 film that directly inspired his return &mdash; in addition to the usual 80&#39;s and 90&#39;s fare.</li><li>New episodes would go up every two weeks, instead of once a week, with a Nostalgia Critic editorial every other week.&nbsp;</li></ul><p><strong>You&#39;ve played the Nostalgia Critic for about six years now. Is he a different character now than he was at</strong><img alt="" class="image-original_image" src="http://llnw.wbez.org/styles/original_image/llo/insert-images/NC Profile.jpg" style="height: 169px; width: 300px; float: right;" title="(Courtesy of Doug Walker/Channel Awesome)" /><strong>&nbsp;</strong><strong>the start?</strong></p><p>DOUG WALKER: He really has evolved, because if you look at the Critic from the beginning of the show, he&#39;s just a big loser. I mean, everything has to be his way &mdash; he&#39;s always screaming, always shouting, always angry &mdash; so after a while, we evolved him so that he&#39;s a little more open, and he questions things a little bit more.</p><p>The big thing that I&#39;ve found when I was doing the character was that people were siding with him beforehand and wanting to get on his side, and that wasn&#39;t my intention! [Laughs] I was like, &#39;Don&#39;t get on this guy&#39;s side, he&#39;s not a good guy!&#39; I realized that I needed to even him out, because a lot of people were seeing him as a hero. So I said, &#39;Let&#39;s actually make him more relatable.&#39;</p><p>Even through the anniversary specials, you can see that he opens up a little bit more, which makes sense. For any character, if you want to evolve them, you have to show a different side. Since the Critic was already unpleasant, it made sense to evolve him into something a bit more likeable.</p><p><b>How would you define the role of a critic today? What does being a critic mean to you A.E. (After Ebert)?&nbsp;</b></p><p>DW: I used to think that the role of a critic, whether they&#39;re just being themselves or playing a character like I have, is to say whether something is good or bad. But that&#39;s kind of presumptous, because it&#39;s all subjective. So then I thought, maybe it&#39;s just giving your opinion and stating it very well. But his opinion might not match my opinion, so what does that necessarily mean?</p><p>Now, what I&#39;ve come to in terms of being a critic is this: what a critic should do is challenge&nbsp;someone&#39;s point of view. Even if you agree with it, just give some different outlook or point of view that perhaps another person hasn&#39;t thought about before.</p><p>That&#39;s what I liked about Ebert, and Gene Siskel, is that you could listen or read their work and they could bring up something that you&#39;d just never thought of. If I really liked a movie they hated, or they liked a movie that I hated, I could still find a different point of view in there that I&#39;d never really considered. That&#39;s what I really liked about them, and also how they just cared so much about film, and were so passionate about it.</p><p><b>What advice do you have for young critics who might want to follow in your footsteps?</b></p><p>DW: The first thing I would usually say is, &#39;don&#39;t.&#39; [Laughs] Because I totally acknowledge that I got really lucky when I came into this; I was just the right person at the right time.</p><p>But I think a lot of people that now make a living out of this obviously did go for it. So, if you absolutely have to, if you have it embedded in you and you can&#39;t get it out, try doing what other people aren&#39;t necessarily doing. And if you absolutely have to do something that&#39;s similar to someone else, find your own angle and your own point of view on it &mdash;because if you say, &#39;I want to be just like the Nostalgia Critic,&#39; well, &quot;Nostalgia Critic&quot; is already doing that. Try to do something from an angle that nobody is doing, and be consistent. Get the stuff out constantly.</p><p>Not to their discredit at all, but I think a lot of people put a lot of time and effort into making a video look good and sound good, which means that the videos look great, but might only come out once every couple months or something, and you&#39;re not going to keep an audience with that. Also, try to ask yourself, &#39;If I was going through the Internet, what would I click on?&#39; or &#39;What would I want to see?&#39; because there&#39;s a lot of potential viewers out there who are doing the same thing.</p><p><strong>Have you ever changed your mind about a &quot;Nostalgia Critic&quot; episode that you said you would never, ever do?</strong></p><p>DW: It&#39;s funny, because just looking at how things change over time and just looking at numbers, now whenever somebody says, &#39;You can&#39;t do this, you absolutely can&#39;t do this, we&#39;ll be offended,&#39; I sort of look at it more and think &#39;Maybe I should do this...&#39;&nbsp;</p><p><strong>Like &quot;Matilda?&quot;</strong></p><p>DW: Honestly, at some point, I will do &quot;Matilda.&quot; I know that I will now, because there&#39;s been so many people saying, &#39;Don&#39;t do it!&#39; which makes me think, &#39;The views on this are gonna be great!&#39; [Laughs] But I know that I can&#39;t just rush into that; it&#39;s still something that we&#39;re trying to get ideas for, because we really want to do it&nbsp;right, because it&#39;s been so built-up.</p><p>But yeah, it still has to be something that I feel I can get material out of. If it&#39;s something that I know nothing about, or I know that I&#39;m going to be out of my element with it, I&#39;ll stay away.&nbsp;</p><p>That&#39;s what I should have done with <a href="http://thatguywiththeglasses.com/videolinks/thatguywiththeglasses/nostalgia-critic/32327-lets-play-barts-nightmare" target="_blank">Let&#39;s Play Bart&#39;s Nightmare</a>, because I knew very little about it, and I dove in still knowing very little, and it blew up in my face. You take a chance and see what&#39;s new, and sometimes it&#39;s going to bomb, and part of the process is learning what to do with a failure. Now it&#39;s a fun joke, like &#39;Is this as bad as Bart&#39;s Nightmare?&#39; and so forth. You just have fun with it.&nbsp;</p><p><img alt="" class="image-original_image" src="http://llnw.wbez.org/styles/original_image/llo/insert-images/A21.jpg" style="float: left; height: 169px; width: 300px;" title="(Courtesy of Doug Walker/Channel Awesome) " /><strong>You recently invited Greg Sestero, the actor who played Mark in &quot;The Room,&quot; to appear on an episode of &quot;Nostalgia Critic&quot; after he said that he enjoyed your review of the film. Who have been some of your favorite guests to have on the shows so far?</strong></p><p>DW: Every time that someone has [said something nice about the shows], we try to have them on. It would be cool to get Dante Basco, who played Rufio in &quot;Hook&quot; and Zuko in &quot;Avatar: The Last Airbender.&quot; I talked about him for a while in the vlogs, and he really liked it and posted a link and stuff like that, so that was really cool.</p><p>Obviously, Mara Wilson [former child star of &quot;Ms. Doubtfire&quot; and &quot;Matilda,&quot; who appeared in the &quot;Nostalgia Critic&quot; review of her film &quot;A Simple Wish,&quot; the first episode of &quot;Shut Up and Talk,&quot; and on &quot;Demo Reel&quot; as the wife of Walker&#39;s character].</p><p>Some of the creators of &quot;Batman,&quot; the animated show, have said that they liked our work, and the people from &quot;Anamaniacs&quot; came on for a special. So, honestly, to anyone who reaches out, I say, &#39;Come on in!&#39;</p><p><b>Besides the late, great Roger Ebert tweeting the &quot;Nostalgia Critic&quot; episode A Tribute to Siskel &amp; Ebert and calling it &quot;the best, funniest video about Siskel &amp; Ebert I&#39;ve ever seen&quot; (you said you <a href="http://www.youtube.com/watch?v=QYQsKWhfY88" target="_blank">framed the tweet</a>&mdash;I would have too!), what has been the most meaningful feedback that you&#39;ve received for your work?</b></p><p>DW: The coolest ones for me are when fans write in to say, &#39;I went through something tough,&#39; or &#39;I have depression, I have an illness, I lost somebody close to me, I&#39;ve had a tough year ... and you&#39;re stuff has really helped.&#39;</p><p>Because you just think, I&#39;m making an ass of myself and just being really stupid and goofy, but what can that do. It&#39;s funny, but what can that do? But for a lot of people, it really means something.</p><p>So that&#39;s always cool every time I get those, and I try to save those too, and actually keep them in a nice collection. That always means the world, because like I said, you don&#39;t expect it, and it&#39;s like, &#39;Ok, let&#39;s keep doing this.&#39;</p><p><em>For more information on everything related to Nostalgia Critic and Channel Awesome, visit <a href="http://thatguywiththeglasses.com" target="_blank">thatguywiththeglasses.com</a>&nbsp;and follow Walker&#39;s <a href="https://www.facebook.com/pages/Doug-Walker/127127037353766" target="_blank">Facebook page</a> for updates on what&#39;s next!</em></p></p> Thu, 21 Nov 2013 08:00:00 -0600 http://www.wbez.org/blogs/leah-pickett/2013-11/get-know-man-behind-nostalgia-critic-109210 15 female TV writers you should know http://www.wbez.org/blogs/leah-pickett/2013-11/15-female-tv-writers-you-should-know-109073 <p><div class="image-insert-image "><img alt="" class="image-original_image" jordin="" of="" showtime="" src="http://www.wbez.org/system/files/styles/original_image/llo/insert-images/Jordin%20Althaus%3AShowtime.jpg" states="" the="" title="Diablo Cody on the set of her Showtime series &quot;The United States of Tara.&quot; (Jordin Althaus/Showtime)" united="" /></div><p>Headlines about women in television can be confusing and contradictory. Some say progress for female TV writers is moving at <a href="http://blogs.indiewire.com/womenandhollywood/wga-releases-annual-writing-report-and-women-make-small-progress" target="_blank">a snail&#39;s pace</a>, while others&nbsp;say 2013 is a great year to be a woman breaking into Hollywood&#39;s &quot;cigar-chomping&quot; <a href="http://www.glamour.com/entertainment/2013/08/meet-the-women-who-run-your-favorite-movies-and-tv-shows#slide=1" target="_blank">boy&#39;s club</a>.</p><p>My take? We&#39;ve come a long way since Irma Kalish of &quot;All in the Family&quot; and Susan Harris of &quot;The Golden Girls&quot; first paved the road for women to be taken seriously as TV writers and showrunners, but we still have a long way to go.</p><p>The Hollywood Reporter&nbsp;just announced their&nbsp;annual list of Top 50 Showrunners, and only <a href="http://blogs.indiewire.com/womenandhollywood/the-hollywood-reporter-announced-the-top-50-showrunners" target="_blank">10 women</a> (many of them working in teams with men) made the cut.</p><p>Still, just a brief glance at the progress that&#39;s been made &ndash; from Chicago native Agnes Nixon creating the TV <a href="http://en.wikipedia.org/wiki/Agnes_Nixon" target="_blank">soap opera</a>&nbsp;in 1968, to Tina Fey becoming the first female head writer at &quot;Saturday Night Live&quot; in 1999, to Lena Dunham inspiring a million <a href="http://splitsider.com/2012/04/24-thinkpieces-about-girls/" target="_blank">Internet think pieces</a> with each zeitgeist-y episode of &quot;Girls&quot; &ndash; is enough to see that times are slowly but surely changing for the better.</p><p>And despite numerous sexist roadblocks that still need to be torn down (shows like &quot;Californication,&quot; and &quot;Veep&quot; <a href="http://thinkprogress.org/alyssa/2013/03/28/1787671/from-californication-to-veep-the-tv-shows-that-hired-no-women-or-writers-of-color-in-2011-2012/" target="_blank">did not employ a single female writer </a>during their 2011-2012 seasons), plenty of women in television are making waves by taking charge.&nbsp;</p><p>In no particular order, here are 15 groundbreaking female TV writers you should know:&nbsp;</p><p><strong>1. Jenji Kohan</strong></p><p>Kohan started out writing for shows like &quot;Will and Grace,&quot; &quot;Gilmore Girls,&quot; and &quot;Sex and the City;&quot; and in 1997, won an Emmy Award as supervising producer of the HBO sketch comedy series &quot;Tracey Takes On...&quot; In 2005, Kohan become the creator, executive producer, and showrunner of the dark comedy &quot;Weeds,&quot; starring Mary Louise Parker, which ran for eight seasons on Showtime. Today, Kohan is the co-creator and executive producer of the Netflix prison dramedy &quot;<a href="http://en.wikipedia.org/wiki/Jenji_Kohan" target="_blank">Orange is the New Black</a>,&quot; which is gearing up for a highly-anticipated Season 2.</p><p><strong>2. Elizabeth Meriwether</strong></p><p>Meriwether is a Yale University graduate who got her start as a playwright before transitioning to film and TV. She got her big break writing the screenplay for the 2011 film &quot;No Strings Attached,&quot;landing her a spot in &quot;<a href="http://www.interviewmagazine.com/culture/liz-meriwether" target="_blank">The Fempire</a>&quot;&nbsp;next to fellow female screenwriters Dana Fox and Lorene Scafaria. Meriwether went on to write for the Adult Swim series &quot;Children&#39;s Hospital&quot; and is now the creator, executive producer, and showrunner of &quot;New Girl&quot; on Fox.</p><p><strong>3. Michelle Ashford</strong></p><p>Ashford has a long list of writing credits to her name, including two Emmy-winning television miniseries: 2008&#39;s &quot;John Adams&quot; and 2010&#39;s &quot;The Pacific.&quot; However, Ashford&#39;s most prominent role to date is as creator and showrunner of the new Showtime drama &quot;Masters of Sex,&quot; which premiered in September to <a href="http://en.wikipedia.org/wiki/Masters_of_Sex" target="_blank">widespread critical acclaim</a> and has already been renewed for a second season in 2014.&nbsp;</p><p><strong>4. Amy Sherman-Palladino</strong></p><p>Sherman-Palladino is best known for creating the whip-smart and heartwarming series &quot;<a href="http://en.wikipedia.org/wiki/Gilmore_Girls" target="_blank">Gilmore Girls</a>,&quot; which debuted on The WB in 2000 and became a tentpole for the network. The show that would make huge stars of Alexis Bledel, Lauren Graham, and Melissa McCarthy later moved to WB&#39;s successor network The CW, where it ended after seven seasons in 2007. Sherman-Palladino went on to create the ballet dramedy &quot;Bunheads&quot; for ABC Family in 2012; but much to fans&#39; disappointment, the series was not renewed for a second season.&nbsp;</p><p><strong>5. Nahnatcha Khan</strong></p><p>Khan has written and produced a slew of creative shows, from the Saturday morning cartoon series &quot;Pepper Ann&quot; to the Seth MacFarlane vehicle &quot;American Dad!&quot; In 2012, Khan created her own ABC sitcom called &quot;<a href="http://en.wikipedia.org/wiki/Don%27t_Trust_the_B----_in_Apartment_23" target="_blank">Don&#39;t Trust the B---- in Apartment 3</a>,&quot; which, despite its questionable title, turned out to be a shining example of truly great yet underrated comedic television. Unfortunately, not enough viewers tuned in to watch James Van Der Beek play a hilarious washed-up version of himsef, and the show was cancelled after two seasons in January.</p><p><strong>6. Shonda Rhimes</strong></p><p>Rhimes is a Chicago native and graduate of Dartmouth College. She also is the creator, head writer, and executive producer of the long-running ABC medical drama &quot;Grey&#39;s Anatomy&quot; and its shorter-lived spinoff &quot;Private Practice,&quot; as well as creator and showrunner of the current ABC smash hit &quot;<a href="http://en.wikipedia.org/wiki/Scandal_(TV_series)" target="_blank">Scandal</a>.&quot; To date, Rhimes is the first African-American &ndash; man or woman &ndash; to create and produce a top-rated, one-hour series that has run for more than one season. &quot;Grey&#39;s Anatomy&quot; is now in Season 10.</p><p><strong>7. Julie Plec</strong></p><p>Plec graduated from Northwestern University in 1994, and went on to write scripts for Wes Craven&#39;s (&quot;Scream&quot; and &quot;Cursed&quot;) and the ABC Family sci-fi series &quot;Kyle XY.&quot; Plec hit the television big leagues in 2009, when she co-created <a href="http://en.wikipedia.org/wiki/The_Vampire_Diaries" target="_blank">&quot;The Vampire Diaries&quot;</a> with Kevin Williamson for The CW. The supernatural teen drama has become a domestic and international juggernaut, prompting Plec to create a spinoff called &quot;The Originals&quot; in 2013. Plec also co-created a third series for the CW this year: &quot;The Tomorrow People,&quot;&nbsp;based on the popular British science fiction TV series of the same name.&nbsp;</p><p><strong>8. Liz Sarnoff</strong></p><p>Sarnoff got her start writing episodes of &quot;NYPD Blue&quot; and &quot;Crossing Jordan&quot; before joining the crew of &quot;Deadwood&quot; in 2004 as an executive story editor and writer for Season 1. The following year, Sarnoff joined the writing team of &quot;Lost&quot; in the series&#39; second season, and won the Writers Guild of America Award for Best Dramatic Series for her work. She was promoted to co-executive producer of &quot;Lost&quot; for Season 5, and executive producer in the show&#39;s sixth and final season. In 2011, Sarnoff co-created the Fox series &quot;Alcatraz,&quot; an ambitious <a href="http://en.wikipedia.org/wiki/Alcatraz_(TV_series)" target="_blank">J.J. Abrams-produced prison series</a> that lasted 13 episodes.&nbsp;</p><p><strong>9. Jane Espenson</strong></p><p>Espenson had a five-year stint as a writer and producer on &quot;Buffy the Vampire Slayer,&quot; followed by work on the sci-fi cult classic &quot;Battlestar Galactica&quot; and its prequel spinoff &quot;Caprica.&quot; In 2010, she wrote an episode of HBO&#39;s &quot;Game of Thrones&quot; and joined the writing staff for Season 4 of the British television program &quot;Torchwood.&quot; Espenson also has written episodes for Joss Whedon&#39;s &quot;Firefly,&quot; &quot;Angel,&quot; &quot;Tru Calling,&quot; and the ABC fairy tale series &quot;Once Upon a Time.&quot; Currently, Espenson is the co-creator, writer, and producer of a sitcom web series called &quot;<a href="http://en.wikipedia.org/wiki/Husbands_(sitcom)" target="_blank">Husbands</a>,&quot; now in Season 3 on The CW Seed.&nbsp;</p><p><strong>10. Mindy Kaling</strong></p><p>Kaling first joined NBC&#39;s &quot;<a href="http://en.wikipedia.org/wiki/The_Office_(U.S._TV_series)" target="_blank">The Office</a>&quot; as a writer at the age of 24, and as the only woman on a team of eight. She later took on the role of Kelly Kapoor, while still writing and directing episodes. In 2010, she received an Emmy nomination for Outstanding Writing in a Comedy Series with Greg Daniels for the episode &quot;Niagara.&quot; After &quot;The Office&quot; came to end earlier this year, Kaling became the first South Asian-American woman to create, write, and star in her own network television show: &quot;The Mindy Project,&quot; now in Season 2. &nbsp;</p><p><strong>11. Ann Biderman</strong></p><p>Biderman won an Emmy Award for Outstanding Individual Achievement in Writing in a Drama Series for an episode of the police procedural &quot;NYPD Blue,&quot; and went on to become the creator and executive producer of the &nbsp;NBC/TNT series &quot;Southland.&quot; Now, Biderman is the creator and showrunner of &quot;<a href="http://en.wikipedia.org/wiki/Ray_Donovan_(TV_series)" target="_blank">Ray Donovan</a>,&quot; a powerful crime drama on Showtime starring Liev Schreiber and Jon Voight. A second season of &quot;Ray Donovan&quot; will air in 2014.</p><p><strong>12. Emily Kapneck</strong></p><p>Kapneck created the popular animated program &quot;As Told by Ginger,&quot; which ran on Nickelodeon from 2000-2009. She also has served as a consulting producer on NBC&#39;s &quot;Parks and Recreation&quot; and is currently the creator, executive producer, and showrunner of the ABC sitcom &quot;<a href="http://en.wikipedia.org/wiki/Suburgatory" target="_blank">Suburgatory</a>.&quot;</p><p><strong>13. Kay Cannon</strong></p><p>Cannon received her B.A. in Theatre from Lewis University in Romeoville, Ill. and trained in improvisation at both The Second City and The I.O. Theater ( formerly ImprovOlympic) in Chicago. She went on to write for the NBC series &quot;<a href="http://en.wikipedia.org/wiki/Kay_Cannon" target="_blank">30 Rock</a>,&quot; winning three Writer&#39;s Guild of America Awards and later a Peabody Award in 2008 for her work on the show. Cannon also wrote the screenplay for the 2012 sleeper hit film &quot;Pitch Perfect.&quot;</p><p><strong>14. Issa Rae</strong></p><p>Rae is the creator of the YouTube comedy series &quot;<a href="http://www.issarae.com" target="_blank">The Misadventures of Awkward Black Girl</a>,&quot; in addition to the vlog series &quot;Ratchetplace Theatre&quot; and a collaboration with Black&amp;Sexy TV called &quot;RoomieLoverFriends.&quot; A new comedy series for HBO, co-written with Larry Wilmore and starring Rae, is currently in development.&nbsp;</p><p><strong>15. Diablo Cody</strong></p><p>Cody may be best known for writing the 2007 indie film &quot;Juno,&quot; but the Chicago native also has found a great deal of success in television. She created &quot;The United States of Tara&quot; in 2009, an Emmy-Award winning drama starring Toni Collette that ran for three seasons on Showtime. Cody also has recently been tapped to create a new &quot;<a href="http://www.avclub.com/articles/diablo-cody-and-josh-schwartz-are-developing-a-new,103923/" target="_blank">smart, sassy teen girl drama</a>&quot; for Fox, alongside &quot;The O.C.&quot; producers Stephanie Savage and Josh Schwartz.</p><p>To end this list: an adorable video of Amy Poehler interviewing her TV idol, pioneering comedy writer Irma Kalish:</p><p style="margin-left:.25in;"><iframe allowfullscreen="" frameborder="0" height="315" src="//www.youtube.com/embed/5seuoKvXvSc" width="560"></iframe></p><p><em>Leah Pickett writes about popular culture for WBEZ. Follow her on Twitter <a href="https://twitter.com/leahkpickett" target="_blank">@leahkpickett</a>.</em></p></p> Tue, 05 Nov 2013 09:30:00 -0600 http://www.wbez.org/blogs/leah-pickett/2013-11/15-female-tv-writers-you-should-know-109073 The future of Chicago film, TV http://www.wbez.org/blogs/leah-pickett/2013-10/future-chicago-film-tv-109048 <p><div class="image-insert-image "><img alt="" class="image-original_image" flickr="" spencer="" src="http://www.wbez.org/system/files/styles/original_image/llo/insert-images/Flickr%3ASpencer%20Hughes.jpg" title="Filming an explosion for &quot;Transformers 4.&quot; (Flickr/Spencer Hughes)" transformers="" /></div><p><a href="http://www.chicagoreader.com/chicago/meet-the-new-bossyou-get-what-you-pay-for/Content?oid=924074" target="_blank">Illinois Film Office head</a>&nbsp;Betsy Steinberg recently told the <a href="http://www.chicagoreader.com/chicago/illinois-film-industry-booming-tax-breaks-expiring/Content?oid=11339369" target="_blank"><em>Chicago Reader</em></a> that while studios are making fewer films, &quot;a huge influx of episodic television&quot; has been great for job security. &quot;We love our movies,&quot; she adds, &quot;but one season of &#39;Chicago Fire&#39; could easily outspend a blockbuster movie.&quot;</p><p>Steinberg says that six TV series are currently filming in Chicago:</p><ul><li>NBC&#39;s &quot;Chicago PD&quot;</li><li>NBC&#39;s &quot;Chicago Fire&quot;</li><li>ABC&#39;s &quot;Betrayal&quot;</li><li>ABC&#39;s &quot;Mind Games&quot;</li><li>USA network comedy &quot;Sirens&quot;</li><li>NBC&#39;s &quot;Crisis&quot;&nbsp;</li></ul><p>Meanwhile, the blockbuster films that used Chicago as a backdrop in 2013 include:</p><ul><li>the Wachowski&#39;s &quot;Jupiter Ascending&quot;</li><li>Michael Bay&#39;s &quot;Transformers 4&quot;</li><li>the Bollywood musical &quot;Dhoom 3&quot;</li><li>the dystopian thriller &quot;Divergent&quot;&nbsp;</li></ul><p>When asked for comment on this record-breaking year for film and television in Chicago, Steinberg said the success is due in large part to the <a href="http://www.illinois.gov/dceo/whyillinois/Film/FilmTaxCredit/Pages/default.aspx" target="_blank">Illinois Film Tax Credit</a>, which offers producers a credit of 30 percent of all qualified expenditures.</p><p>&quot;As much as people love to be in Chicago, and as much as Chicago is such an excellent setting for film and television, we wouldn&#39;t have any business without the tax credit,&quot; Steinberg explained, &quot;In today&#39;s climate, with many states competing in the very lucrative film and television industry, our 30 percent tax credit has been instrumental in attracting business.&quot;</p><p>But what will happen when Section 181, the federal film tax benefit that guarantees investors will get back up to <a href="http://dakdan.com/investor_relations.html" target="_blank">75 percent</a>&nbsp;of&nbsp;their investment before a film is even distributed, expires at the end of this year?</p><p>Section 181 has expired before,&nbsp;<a href="http://www.chicagoreader.com/chicago/illinois-film-industry-booming-tax-breaks-expiring/Content?oid=11339369" target="_blank">most recently in 2011</a>, and been reinstated. Plus, according to Steinberg, the Illinois Film Tax Credit is much more integral to productions at the state level than Section 181.&nbsp;</p><p>&quot;I&#39;m sure there are plenty of producers, especially those who are in a certain range of $15 to $20 million films, who have been relying quite heavily on Section 181,&quot; Steinberg says, &quot;But the type of business that we have been seeing, both in television and with studio movie blockbusters, aren&#39;t really the productions that depend on Section 181.&quot;</p><p>The evolution of <a href="http://www.chicagofilmstudios.com" target="_blank">Cinespace Studios</a>&nbsp;also has played a major role in elevating the Chicago film and TV industry to new heights. Adds Steinberg: &quot;Cinespace has increased the square footage that projects can now use to build huge sets. So basically, because of all this increased space, we can now hold a volume of work never before possible.&quot;</p><p>Still, in a city crammed with raw filmmaking talent and increasingly creative means for distribution, do other alternatives for film and TV production exist?&nbsp;</p><p>Future success may lie in the web series, which has formed a kind of underground scene in Chicago that also has been rapidly gaining traction online.</p><p>&quot;Easy Abby,&quot; a lesbian romcom web series from Chicago-based writer/director Wendy Jo Carlton, recently hit <a href="http://easyabby.com/2013/05/11/easy-abby-hits-5-million-views/" target="_blank">5 million views</a>&nbsp;and has garnered substantial audiences in Saudi Arabia, Turkey, France, Germany, and the UK.</p><p>Other popular web series filmed in the Chicago area include the <a href="http://funemployedchicago.com/about-us/" target="_blank">millennial comedy</a> &quot;Funemployed,&quot; now in Season 3;&nbsp;&quot;Kam Kardashian,&quot; written up by the Chicago Tribune as &quot;<a href="http://articles.chicagotribune.com/2013-04-25/entertainment/ct-mov-0426-chicago-closeup-20130426_1_minority-status-web-series-kardashians" target="_blank">a web series worth watching</a>;&quot; and &quot;Celestial Bodies,&quot; a live-action&nbsp;<a href="https://www.facebook.com/CelestialBodiesTV" target="_blank">space adventure</a> show for all ages that features a bevy of Chicago writers, artists, actors, and athletes.</p><p>Coming soon:&nbsp;a new project from award-winning local writer/director <a href="http://www.jasonknade.com/about/" target="_blank">Jason Knade</a> and &quot;My Block, My Hood, My City&quot; from Chicago author&nbsp;<a href="http://www.kickstarter.com/projects/738632684/my-block-my-hood-my-city" target="_blank">Jahmal Cole</a>.</p><p>As much as I hope that big-budget TV shows and features will continue to be made in Chicago for many years to come, I&#39;m also excited to see which Kickstarter-funded local web series and indie films will catapult their creators to national or even worldwide stardom.&nbsp;</p><p>After all, wouldn&#39;t it be nice if the resounding refrain from industry professionals was not &quot;You have to move to L.A. to make this happen,&quot; but rather, &quot;Why move to Hollywood when you can do it here?&quot;</p><p><em>Note: A previous version of this story misstated the expiration date of a film tax credit. The text has been updated to correct this error. Additional comment from the Illinois Film Office have also been added to further clarify. </em></p></p> Fri, 01 Nov 2013 10:00:00 -0500 http://www.wbez.org/blogs/leah-pickett/2013-10/future-chicago-film-tv-109048