WBEZ | talent http://www.wbez.org/tags/talent Latest from WBEZ Chicago Public Radio en Brain Surgery Serenade: Man Plays Saxophone during Tumor Removal http://www.wbez.org/news/brain-surgery-serenade-man-plays-saxophone-during-tumor-removal-114236 <img typeof="foaf:Image" src="http://llnw.wbez.org//main-images/sax-surgery_wide-8cc1ac0e6640dbb38b83d2bb5d3efdbbcf61e8e4-s600-c85.jpg" alt="" /><p><div id="res460381214" previewtitle="Carlos Aguilera recently discussed how he played the saxophone during surgery to remove a brain tumor at Regional Hospital of Malaga, in Andalusia, Spain."><div data-crop-type="" style="text-align: center;"><img alt="Carlos Aguilera recently discussed how he played the saxophone during surgery to remove a brain tumor at Regional Hospital of Malaga, in Andalusia, Spain." src="http://media.npr.org/assets/img/2015/12/19/sax-surgery_wide-8cc1ac0e6640dbb38b83d2bb5d3efdbbcf61e8e4-s600-c85.jpg" style="height: 348px; width: 620px;" title="Carlos Aguilera recently discussed how he played the saxophone during surgery to remove a brain tumor at Regional Hospital of Malaga, in Andalusia, Spain. (Jorge Zapata/EPA /LANDOV)" /></div><div><div><p>The team of doctors who recently operated on Spanish musician Carlos Aguilera&#39;s brain wanted to be sure they didn&#39;t affect his ability to play the saxophone &ndash; so they had him play songs during a 12-hour surgery.</p></div></div></div><p>A partially sedated Aguilera obliged, playing &quot;Misty&quot; and other songs, in addition to reading sheet music. In a video of the procedure, the mellow tones of Aguilera&#39;s saxophone blend in with the normal sounds of an operating room.</p><p style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/fAS6LvWlAAk" width="560"></iframe></p><p>From Madrid, Lauren Frayer reports:</p><blockquote><div><p><em>&quot;The 27-year-old was sedated, on painkillers, but remained conscious during the entire multi-hour operation.</em></p><p><em>&quot;Doctors were removing a brain tumor, and wanted to ensure the surgery wouldn&#39;t damage Aguilera&#39;s musical ability. It was the first such surgery of its kind in Europe.</em></p><p><em>&quot;The operation took place in October, and Aguilera recently went public to say he&#39;s been cured &mdash; and continues playing his sax with an orchestra in the southern city of Malaga.&quot;</em></p></div></blockquote><p>At a news conference this week, Aguilera&#39;s father told journalists that when his son was diagnosed with a brain tumor earlier this year, he feared the worst &ndash; including the possibility that he might never play music again.</p><p>&quot;Two months ago I was on the table, and now I have a life in front of me,&quot; Aguilera said, according to&nbsp;<a href="http://www.laopiniondemalaga.es/malaga/2015/12/16/cirujanos-carlos-haya-extirpan-tumor/815934.html">La Opinion of Malaga</a>. &quot;I&#39;ve been reborn.&quot;</p><p>Such procedures are meant to protect musicians&#39; primary audio cortex and other parts of the brain that can affect their ability to play. (A story on NPR&#39;s&nbsp;Shots blog today looks at&nbsp;<a href="http://www.npr.org/sections/health-shots/2015/12/19/460191654/the-neuroscience-of-musical-perception-bass-guitars-and-drake">The Neuroscience Of Musical Perception, Bass Guitars And Drake</a>.)</p><p>It&#39;s the first time such a case has been reported in Spain; similar measures were taken during recent brain surgeries in the U.S. and elsewhere &mdash; including last summer, when Slovenian opera singer&nbsp;<a href="http://www.classicalmpr.org/story/2015/08/12/opera-singer-performs-during-brain-surgery">Ambroz Bajec-Lapajne</a>&nbsp;sang portions of Franz Schubert&#39;s&nbsp;Gute Nacht&nbsp;during surgery for a brain tumor.</p><p style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/obiARnsKUAo" width="560"></iframe></p><p>In August, Bajec-Lapajne posted a video of his performance in the operating theater.</p><p>&quot;All is fine until min. 2:40 when things start to get very interesting,&quot; Bajec-Lapajne said of the video. &quot;It&#39;s been more than a year since and I&#39;m doing fine, continuing my professional singing career.&quot;</p><p>Other recent cases include:</p><blockquote><ul><li>In June, guitarist&nbsp;<a href="http://www.nydailynews.com/news/world/brazilian-man-sings-plays-guitar-brain-surgery-article-1.2246573">Kulkamp Anthony Dias</a>&nbsp;played the Beatles&#39; &quot;Yesterday&quot; and other songs during a surgery to remove a tumor in Brazil.</li><li>Last year, former Lithuanian National Symphony Orchestra violinist<a href="http://www.tasmc.org.il/sites/en/Features/Pages/Violinist-undergoes-DBS.aspx">Naomi Elishuv</a>&nbsp;played during a procedure in Tel Aviv to correct tremors that ended her career.</li><li>Also in 2014, American concert violinist&nbsp;<a href="http://www.bustle.com/articles/35791-watch-inspiring-violinist-roger-frisch-play-during-brain-surgery-with-amazing-results-video">Roger Frisch</a>&nbsp;underwent a procedure similar to Elishuv&#39;s to free him from essential tremors.</li><li>In 2008,&nbsp;<a href="http://abcnews.go.com/GMA/AheadoftheCurve/story?id=5941480&amp;page=1">bluegrass legend Eddie Adcock</a>&nbsp;played banjo during neurosurgery to correct similar involuntary tremors.</li></ul></blockquote><p>&mdash;<em><a href="http://www.npr.org/sections/thetwo-way/2015/12/19/460380252/brain-surgery-serenade-man-plays-saxophone-during-tumor-removal?ft=nprml&amp;f=460380252" target="_blank"> via NPR</a></em></p></p> Sun, 20 Dec 2015 23:01:00 -0600 http://www.wbez.org/news/brain-surgery-serenade-man-plays-saxophone-during-tumor-removal-114236 Who are the 'gifted and talented' and what do they need? http://www.wbez.org/news/who-are-gifted-and-talented-and-what-do-they-need-113084 <p><div class="image-insert-image " style="text-align: center;"><img alt="" class="image-original_image" src="http://www.wbez.org/system/files/styles/original_image/llo/insert-images/biggrowth.jpg" style="height: 399px; width: 600px;" title="(LA Johnson/NPR)" /></div><p>Ron Turiello&#39;s daughter, Grace, seemed unusually alert even as a newborn.</p><p>At 7 months or so, she showed an interest in categorizing objects: She&#39;d take a drawing of an elephant in a picture book, say, and match it to a stuffed elephant and a realistic plastic elephant.</p><p>At 5 or 6 years old, when snorkeling with her family in Hawaii, she identified a passing fish correctly as a Heller&#39;s barracuda, then added, &quot;Where are the rest? They usually travel in schools.&quot;</p><p>With a child so bright, some parents might assume that she&#39;d do great in any school setting, and pretty much leave it at that. But Turiello was convinced she needed a special environment, in part because of his own experience. He scored very high on IQ tests as a child, but almost dropped out of high school. He says he was bored, unmotivated, socially isolated.</p><p>&quot;I took a swing at the teacher in second grade because she was making fun of my vocabulary,&quot; he recalls. &quot;I would get bad grades because I never did my homework. I could have ended up a really well-read homeless person.&quot;</p><p>Turiello, now an attorney, and his wife, Margaret Caruso, helped found a private school in Sunnyvale, Calif., exclusively for the gifted. It&#39;s called Helios, and both of their children now attend the school, which uses project-based learning, groups children by ability not age, and creates an individualized learning plan for each student. For Turiello, the biggest benefits to Grace, now 11, and son Marcello, 7, are social and emotional. &quot;They don&#39;t have to pretend to be something they&#39;re not,&quot; says Turiello. &quot;If they can be among peers and be themselves, that can really change their lives.&quot;</p><p>Estimates vary, but many say there are around 3 million students in K-12 classrooms nationwide who could be considered academically gifted and talented. The education they get is the subject of a national debate about what our public schools owe to each child in the post-No Child Left Behind era.</p><p>When it comes to gifted children, there are three big questions: How to define them, how to identify them and how best to serve them.</p><p><strong>1. How do you define giftedness?</strong></p><p>One of the most popular definitions, dating to the early 1990s, is &quot;asynchronous development.&quot; That means, roughly, a student whose mental capacities develop ahead of chronological age. This concept matches the most popular tests of giftedness: IQ tests. Scores are indexed to age, with 100 as the average; a 6-year-old who gives answers characteristic of a 12-year-old would have an IQ of 200.</p><p>But there are problems with this framework. No 6-year-old is truly mentally identical to a 12-year-old. He or she may be brilliant at mathematics but lack background knowledge or impulse control.</p><p>In addition, IQ tests become less useful as children get older because there is less &quot;headroom&quot; on the test, especially for those who are already high scorers. &quot;It&#39;s like measuring a 6-foot person with a 5-foot ruler,&quot; says Linda Silverman, an educational psychologist and founder of the Institute for the Study of Advanced Development.</p><p>Recent intelligence research de-emphasizes IQ alone and focuses on social and emotional factors.</p><p>&quot;There&#39;s research that these other things like motivation and grit can take you to the same exact academic outcomes as someone with a higher IQ but without those things,&quot; says Scott Barry Kaufman, a psychologist who studies intelligence and creativity at the University of Pennsylvania, and the author of the book&nbsp;Ungifted. &quot;That&#39;s a really important finding that is just totally ignored. Our country has a narrow view of what counts as merit.&quot;</p><p>Of course, as the definitions get broader, the measurements get more subjective and thus, perhaps, less useful. Some centers for gifted children put out checklists of &quot;giftedness&quot; so broad that any proud parent would be hard-pressed not to recognize her child. Things like: &quot;Has a vivid imagination.&quot; &quot;Good sense of humor.&quot; &quot;Highly sensitive.&quot;</p><p><strong>1(a). How many students should be designated gifted?</strong></p><p>It can be useful for education policy purposes to think about giftedness as it relates to the rest of the special education spectrum. Silverman argues that just as children with IQ scores two full standard deviations below the norm need special classrooms and extra resources, those who score two standard deviations above the norm need the same. By her lights, the population we should be focusing on is the top 2.5 percent or 3 percent of achievers, not the top 5 or 10 percent.</p><p>Scott Peters disagrees. He&#39;s a professor of education at the University of Wisconsin-Whitewater who prepares teachers for gifted certifications. He says the question that every teacher and every school should be asking is, &quot;How will we serve the students who already know what I&#39;m covering today?&quot;</p><p>In a school where most children are in remediation, he argues, a child who is simply performing on grade level may need special attention.</p><p><strong>2. How do you identify gifted students?</strong></p><p>The most common answer nationwide is: First, by teacher and/or parent nomination. After that come tests.</p><p>Minority and free-reduced lunch students are extremely underrepresented in gifted programs nationwide. The problem starts with that first step. Less-educated or non-English-speaking parents may not be aware of gifted program opportunities. Pre-service teachers, says Peters, typically get one day of training on gifted students, which may not prepare them to recognize giftedness in its many forms.</p><p><a href="http://www.washingtonpost.com/news/wonkblog/wp/2015/09/22/these-kids-were-geniuses-they-were-just-too-poor-for-anyone-to-discover-them/">Research shows that screening every child</a>, rather than relying on nominations, produces far more equitable outcomes.</p><p>Tests have their problems, too, says Kaufman. IQ and other standardized tests produce results that can be skewed by background cultural knowledge, language learner status and racial and social privilege. Even nonverbal tasks like puzzles are influenced by class and cultural background.</p><p>Using a single test score cutoff as the criteria&nbsp;<a href="http://www.nagc.org/sites/default/files/key%20reports/ELEM%20school%20GT%20Survey%20Report.pdf">is common but</a>&nbsp;not considered best practice.</p><p>In addition, the majority of districts in the U.S. test children for these programs before the third grade. Experts worry that identifying children only at the outset of school can be a problem, because abilities change over time, and the practice favors students who have an enriched environment at home.</p><p>Experts prefer the use of multiple criteria and multiple opportunities. Portfolios or auditions, interviews or narrative profiles may be part of the process.</p><p><strong>3. How do you best serve gifted students?</strong></p><p>This is the biggest controversy in gifted education. Peters says many districts focus their resources on identifying gifted or advanced learners, while offering little or nothing to serve them.</p><p>&quot;There are cases where parents spend years advocating for students, kids get multiple rounds of testing, and at the end of the day they&#39;re provided with a little bit of differentiation or an hour of resource-room time in the course of a week,&quot; he says. &quot;That&#39;s not sufficient for a fourth-grader, say, who needs to take geometry.&quot;</p><p>While this emphasis on diagnosis over treatment might seem paradoxical, it&#39;s compliant with the law:</p><p>In most states the law governs the identification of gifted students. But only 27 percent of districts surveyed in 2013 report a state law about how to group these students, whether in a self-contained program, or pulled out into a resource room for a single subject or offered differentiation within a classroom. And almost no states have laws mandating anything about the curriculum for gifted students.</p><p>In addition to a need to move faster and delve deeper, students whose intellectual abilities or interests don&#39;t match those of their peers often have special social and emotional needs.</p><p>&quot;I believe that every single day in school a gifted child has the right to learn something new &mdash; not to help the teacher,&quot; Silverman says. &quot;And to be protected from bullying, teasing and abuse.&quot;</p><p>Helping gifted students may or may not take many more resources. But it does require a shift in mindset to the idea that &quot;every child deserves to be challenged,&quot; as Ron Turiello says.</p><p>That&#39;s why, paradoxically, many of the gifted education experts I interviewed didn&#39;t like the label &quot;gifted.&quot; &quot;In a perfect world, every student would have an IEP,&quot; says Kaufman.</p><p>As it happens, federal education policy is currently being reconfigured around some version of that idea.</p><p>&quot;The whole NCLB era, and really back to the first Elementary and Secondary Education Act in the 1960s, was about getting kids to grade level, to minimal proficiency,&quot; says Peters. &quot;There seems to be a change in belief now &mdash; That you need to show growth in every student.&quot;</p><p>That means, instead of just focusing on the 50 percent of kids who are below average, teachers should be responsible for the half who are above average, too. &quot;That&#39;s huge. It&#39;s hard to articulate how big of a sea change that is.&quot;</p><p>&mdash; <a href="http://www.npr.org/sections/ed/2015/09/28/443193523/who-are-the-gifted-and-talented-and-what-do-they-need?ft=nprml&amp;f=443193523" target="_blank"><em>via NPR Ed</em></a></p></p> Mon, 28 Sep 2015 10:47:00 -0500 http://www.wbez.org/news/who-are-gifted-and-talented-and-what-do-they-need-113084 Culture Catalysts: Cultivating Talent http://www.wbez.org/series/chicago-amplified/culture-catalysts-cultivating-talent-107206 <p><p>Culture Catalysts is a monthly series that celebrates and provides a platform for Chicagoans at the epicenter of the cultural scene. Listen to&nbsp;<strong>Beth Kligerman</strong>, Director of Talent &amp; Talent Development at Second City, and <strong>Dylan Rice</strong>, Program Director of Creative Industries-Music at the Department of Cultural Affairs and Special Events in a conversation about the mechanics of cultivating talent and building infrastructures that allow and encourage artists to remain in Chicago.</p><div class="image-insert-image "><img alt="" class="image-original_image" src="http://www.wbez.org/system/files/styles/original_image/llo/insert-images/MCA-webstory_20.gif" style="float: left;" title="" /></div><p>&nbsp;</p><p>&nbsp;</p><p>&nbsp;</p><p>Recorded live Tuesday, April 9, 2013 at The Museum of Contemporary Art Chicago.</p></p> Tue, 09 Apr 2013 10:50:00 -0500 http://www.wbez.org/series/chicago-amplified/culture-catalysts-cultivating-talent-107206