When audiences watch a Jackie Chan movie, they know exactly what they’re in for — lots of punching — but there’s something that might surprise people about him. “I hate violence,” Chan says. “But I make action films.”
Chan got his start in his native Hong Kong as a low-wage stuntman, working on films with the legendary Bruce Lee. For over five decades in the movie business, he’s crashed through glass, tumbled down stairwells, and landed on moving trucks. It’s the kind of work that Hollywood doesn’t typically honor, but he’s made a mark that’s hard to ignore. Last year, the 63-year-old star received an honorary Oscar.
“That means to me, just like complete my life. I only make cheap action movies, comedy,” Chan says. “I never thought I could get an Oscar.”
On Bruce Lee’s influence
I think after Bruce Lee died, and those kind of action movies [were] so popular, and they cannot find enough action stars. Even myself — all the acting, all the skill, all the kicking, just like Bruce Lee. You have to [be] exactly like Bruce Lee, the face, the look, all Bruce. Even my name, “Second Bruce Lee, Jackie Chan,” when you’d see the poster. … I’m not happy. In the poster, you’d never see my name, you see only BRUCE LEE, Jackie Chan.
I’m very lucky. There’s a producer [that] called me up and said “Let’s do something different.” I said “OK, let’s do some comedy.”
On getting critically hurt jumping from a castle while filming Armour Of God
From the castle, I jumped to the middle of the tree. The tree bent to another castle. Between the castle, that’s about 35-40 feet high, but I jumped, the tree break. Break, break, break break … then I was just landing on my back, my head. The rock immediately hurt my skull.
I just asked myself “If I die, what [have] I done for this world?” OK, making a movie, fooling around at night, crashing a car in the morning, buy another car in the morning. At night, crash another one. … Then I said “If I can survive, I have to do something for the world.”
On why he went into retirement in 2012
I’ve been doing martial arts for 57 years, every day in the studio fighting, teaching people how to fight. And I always ask myself: When I should stop, when should I retire? … Because I’m not as fast as before.
On being typecast
I’d rather be an actor who can fight, not the fighter who can act. Probably you can see my Chinese films, when I go back to my own country, I can do whatever I want. I can do a drama, I can do comedy, I can do action, I change. … Here, I always receive the script: Police from Hong Kong, police from China, CIA from Hong Kong, CIA from China. Always Rush Hour 1, Rush Hour 2, Rush Hour 3. Then, Shanghai Noon, Shanghai Knights. Can I have something different? … I really, really hope one day I can make a drama film without one punch.
Even in China, difficult. They’re just not used to it, to see Jackie, slow-motion on the beach, kissing the girl. I like to do that, but nobody hire me!
This story was edited for radio by Shannon Rhoades and Danny Hajek, and adapted for the web by Sydnee Monday and Petra Mayer.
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