The Remarkable Bounce of Blindspotting
That Diggs and Casal also grew up together and share a background in music, theater, and poetry makes the sometimes surreal moments of rap monologues not only believable but also, remarkably, effective. But, as poet Maya Phillips points out, there’s more meaning behind the pretty bounce language. “Rap was a black form and it was commodified,” she tells Kurt Andersen. “It’s very much involved in this aesthetic. We have this idea of a black man who is a rapper and that is packaged and that is sold.”
Blindspotting isn’t the only summer movie to uniquely use language and manners of speaking to talk about race. Phillips digs into the linguistics of Blindspotting, BlacKkKlansman, and Sorry To Bother You and considers the inflection point of the future of black cinema.
Read more of Maya Phillips’ poetic takes on film at Slate.com and her website.
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