Shitty Craft Club. Glitter and sparkles are all over the place. In the center, Shitty Craft Club founder Sam Reece sits at a table adorned with her crafts, including her beaded corn and shrimp sculptures. You can also find a copy of the Shitty Craft Club book that has a hand cutting yarn with scissors.
Chronicle Books
Shitty Craft Club. Glitter and sparkles are all over the place. In the center, Shitty Craft Club founder Sam Reece sits at a table adorned with her crafts, including her beaded corn and shrimp sculptures. You can also find a copy of the Shitty Craft Club book that has a hand cutting yarn with scissors.
Chronicle Books

We are leaning into Halloween this week! Taylor Lorenz, Washington Post columnist and author of Extremely Online, and Margaret Willison, culture writer and faculty at Not Sorry Productions, dared to join us to discuss the very tall, very viral Halloween decorations named Skelly and Lewis, along with more Halloween nonsense.

Lewis. Lewis is tall in a black cloak and gray rags. He has a jack-o'-lantern head and big orange hands.
Target

Then, comedian Sam Reece tells us about how she liberated herself from perfectionism and found community through crafting. Her new book is S****y Craft Club: A Club for Gluing Beads to Trash, Talking about Our Feelings, and Making Silly Things.

S****y Craft Club. Cover shows a hand using scissors to cut a mass of string.
Chronicle Books

In our conversation, Sam objects to how crafts are often dismissed by the art world because they are historically made by women. One example she points to is Kitchen by Liza Lou, a full-scale kitchen encrusted with beads that took the artist five years to make, which is often labeled under craft instead of art. With her club, Sam aims to push against the boundary between art and craft, and encourage people to embrace trying new things.

Kitchen. Liza Lou's 'Kitchen' installation is a full scale replica of a kitchen encrusted in beads. The cabinets are swirls of browns and yellows. The tiles are grids of color. There's a beaded pie in the oven, a beaded newspaper on the table and a beaded potato chip bag on the counter. Every inch is color and bead.
© Liza Lou / Whitney Museum of American Art, New York

Shitty Craft Club. Glitter and sparkles are all over the place. In the center, Shitty Craft Club founder Sam Reece sits at a table adorned with her crafts, including her beaded corn and shrimp sculptures. You can also find a copy of the Shitty Craft Club book that has a hand cutting yarn with scissors.
Chronicle Books
Shitty Craft Club. Glitter and sparkles are all over the place. In the center, Shitty Craft Club founder Sam Reece sits at a table adorned with her crafts, including her beaded corn and shrimp sculptures. You can also find a copy of the Shitty Craft Club book that has a hand cutting yarn with scissors.
Chronicle Books

We are leaning into Halloween this week! Taylor Lorenz, Washington Post columnist and author of Extremely Online, and Margaret Willison, culture writer and faculty at Not Sorry Productions, dared to join us to discuss the very tall, very viral Halloween decorations named Skelly and Lewis, along with more Halloween nonsense.

Lewis. Lewis is tall in a black cloak and gray rags. He has a jack-o'-lantern head and big orange hands.
Target

Then, comedian Sam Reece tells us about how she liberated herself from perfectionism and found community through crafting. Her new book is S****y Craft Club: A Club for Gluing Beads to Trash, Talking about Our Feelings, and Making Silly Things.

S****y Craft Club. Cover shows a hand using scissors to cut a mass of string.
Chronicle Books

In our conversation, Sam objects to how crafts are often dismissed by the art world because they are historically made by women. One example she points to is Kitchen by Liza Lou, a full-scale kitchen encrusted with beads that took the artist five years to make, which is often labeled under craft instead of art. With her club, Sam aims to push against the boundary between art and craft, and encourage people to embrace trying new things.

Kitchen. Liza Lou's 'Kitchen' installation is a full scale replica of a kitchen encrusted in beads. The cabinets are swirls of browns and yellows. The tiles are grids of color. There's a beaded pie in the oven, a beaded newspaper on the table and a beaded potato chip bag on the counter. Every inch is color and bead.
© Liza Lou / Whitney Museum of American Art, New York