#155 Friendship Village
A scandal at Teen Vogue, a mysteriously disappeared TikTok star, and the competing viral dances of Mayor Pete and Mayor Bloomberg. Yes Yes No is back.Tweet #1Tweet #2
A scandal at Teen Vogue, a mysteriously disappeared TikTok star, and the competing viral dances of Mayor Pete and Mayor Bloomberg. Yes Yes No is back.Tweet #1Tweet #2
Devonté Hynes, aka Blood Orange, had an incredible 2019. He dropped the mixtape Angel’s Pulse; scored the critically acclaimed film Queen and Slim; released a classical album with Third Coast Percussion; directed a music video for Beck; and, as a fan, finally saw the brilliant composer/vocalist Beverly Glenn-Copeland live. Glenn-Copeland (as he prefers to go by in his day-to-day life) had his own amazing year: At the age of 74, he had his first international tour, released the new LP Primal Prayer, and saw his previously obscure, decade-spanning seven album catalog finally embraced in music communities around the world. And he met Dev, whose music he adores. We introduced Dev and Glenn right here on the Talkhouse Podcast, and the ensuing convo was warm, vulnerable, funny, and potent. The two sat on a sofa at Hook and Fade Studio in Brooklyn, and instantly formed a world all their own; they stared into each other’s eyes, and spoke so softly that it was difficult to hear them from even a few feet away. In their wide-ranging conversation, Glenn and Dev discuss discovering parts of themselves by traveling out of their home countries; the way they each approach their songwriting; and the story behind Glenn’s seminal 1986 album Keyboard Fantasies. We also learn the importance of nature and its role in their music; how recently Dev began to honor music as the foundation of all his creativity; and the trick Glenn’s mother used to make him a musician while still in utero. Check it out, and subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer @eliaeinhorn Today’s show was engineered and co-produced by Mark Yoshizumi. Additional editing by Katie Lau. Research by Reese Higgins. The Talkhouse Podcast’s theme song was composed and performed by The Range. Please direct all podcast-related ideas, vitriol, and compliments to elia@thetalkhouse.com
In reality, the Tulsa “race riots” of 1921 was more like a massacre. Yet it was almost lost to history until 1997, and still not widely known outside of Oklahoma until HBO’s The Watchmen put it on the cultural map. Learn all about this dark chapter in American history today. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers
Randall Park’s Korean immigrant parents were skeptical about their son’s career path. But that all changed when Randall played the actual dictator of North Korea in The Interview, a movie that caused an international incident. Randall also tells Marc why he founded an Asian-American theater company in college and why he’s taking the same mentality at the core of that group to his Hollywood production company. They also talk about Fresh Off The Boat, Always Be My Maybe, his friendship with Ali Wong, and the magic of a root canal. This episode is sponsored by Squarespace.
Canadian jazz pianist Kris Davis talks about her latest album, Diatom Ribbons.
Canadian character actor J. C. MacKenzie tells us what it’s like working with Martin Scorsese, and how he holds his own onscreen against superstars like Leonardo DiCaprio and Al Pacino.
Novelist Tomi Adeyemi returns to q to talk about Children of Virtue and Vengeance, the sequel to her smash hit New York Times bestselling book, Children of Blood and Bone. Filmmaker Matthew Rankin talks about playing fast and loose with Canadian history in his new film The Twentieth Century. Canadian character actor J. C. MacKenzie tells us what it’s like working with Martin Scorsese, and how he holds his own onscreen against superstars like Leonardo DiCaprio and Al Pacino. Canadian jazz pianist Kris Davis discusses her latest album, Diatom Ribbons, and how she pushes the boundaries of the piano.
Matthew Rankin’s first feature-length film, The Twentieth Century, is a gonzo satire inspired by the diaries of former Canadian prime minister William Lyon Mackenzie King.
Tomi Adeyemi returns to q to talk about Children of Virtue and Vengeance, the sequel to her smash hit New York Times bestselling book, Children of Blood and Bone.
How pharma greed, government subsidies, and a push to make pain the “fifth vital sign” kicked off a crisis that costs $80 billion a year and has killed hundreds of thousands of Americans.